Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
It is undeniable that he has come late upon the world's stage, and after
the ages of inspiration and of brilliant historic action have passed. It
sometimes seems now as though the brain of the world had lost its
freshness and plastic quality, as though every possible phase of
civilization had been seen in Greece and Rome, the Middle Ages and the
Renaissance, and in the scientific and political development of our own
day. But the backwardness of the Russian has been caused by no
congenital inferiority of race; his quickness and aptitude are apparent,
and sufficient to prove it is the rich treasure of popular poetry to be
found among the peoples of Sclav blood,--Servians, Russians, and Poles.
Such testimony is irrefutable, and is to groups of peoples what
articulate speech is to the individual in the zoological scale. What the
Romanceros are to the Spaniard, the Bilinas are to the Russian,--an
immense collection of songs in which the people have immortalized the
memory of persons and events indelibly engraved on their imagination; a
copious spring, a living fountain, whither the future bards of Russia
must return to drink of originality. What the poem of the Cid represents
to Spain, and the Song of Roland to France, is symbolized for the
Russian by the Song of the Tribe of Igor, the work of some anonymous
Homer,--a pantheistic epic impregnated with the abounding and almost
overwhelming sense of realism which seems to preponderate in the
literary genius of Russia.
History--and I use this word in the broadest sense known to us
to-day--thrusts some nations to the fore, as the Latins, for example;
others, like the Sclavs, she holds back, restraining their instinctive
efforts to make themselves heard. We are accustomed to say that Russia
is an Asiatic country, and that the Russian is a Tartar with a thin coat
of European polish. The Mongolian element must certainly be taken into
account in a study of Muscovite ethnography, in spite of the supremacy
of the Byzantine and Tartar influence, and in order to understand
Russia. In the interior of European Russia the ugly _Kalmuk_ is still to
be seen, and who can say how many drops of Asiatic blood run in the
veins of some of the most illustrious Russian families? Yet within this
question of purity of race lies a scientific and social _quid_ easily
demonstrable according to recent startling biological theories, and only
the thoughtless will censure the old Spaniards for their efforts to
prove their blood free of any taint of Moor or Jew. Russia, with her
double nature of European and Asiatic, seems like a princess in a
fairy-tale turned to stone by a malignant sorcerer's art, but restored
to her natural and living form by the magic word of some valiant knight.
Her face, her hands, and her beautiful figure are already warm and
life-like, but her feet are still immovable as stone, though the damsel
struggles for the fulness of reanimation; even so Imperial Russia
Public-domain text, read in full here on John Shaqi.
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