Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
the matrimonial yoke, that parricides are numerous, and the jury,
allowing attenuating circumstances, generally pardons them.
Tikomirov, who, though a radical, is a wise and sensible man, says, that
far from considering the masses of the people as models worthy of
imitation, he finds them steeped in absolute ignorance, the victims of
every abuse and of administrative immorality; deprived for many
centuries of intercourse with civilized nations, they have not outgrown
the infantile period, they are superstitious, idolatrous, and pagan, as
shown by their legends and popular songs. They believe blindly in
witchcraft, to the extent that to discredit a political party with them
one has only to insinuate that it is given to the use of sorcery and the
black arts. The peasant has also an unconquerable propensity to
stealing, lying, servility, and drunkenness. Wherefore, then, is he
judged superior to the other classes of society?
In spite of the puerile humility to which the Russian peasant is
predisposed by long years of subjection, he yet obeys a democratic
impulse toward equality, which servitude has not obliterated; the
Russian does not understand the English peasant's respect for the
_gentleman_, nor the French reverence for the _chevalier_ well-dressed
and decorated. When the government of Poland ordered certain Cossack
executions of the nobility, these children of the steppes asked one
another, "Brother, has the shadow of my body increased?" Taught to
govern himself, thanks to the municipal regimen, the Russian peasant
manifests in a high degree the sentiment of human equality, an idea both
Christian and democratic, rather more deeply rooted in those countries
governed by absolute monarchy and municipal liberty, than in those of
parliamentary institutions. The Spaniard says, "None lower than the
King;" the Russian says the same with respect to the Czar. Primitive and
credulous, a philosopher in his way, the dweller on the Russian steppes
wields a dynamic force displayed in history by collectivities, be the
moral value of the individual what it may. In nations like Russia, in
which the upper classes are educated abroad, and are, like water,
reflectors and nothing more, the originality, the poetry, the epic
element, is always with the masses of the people, which comes out strong
and beautiful in supreme moments, a faithful custodian of the national
life, as for example when the butcher Minine saved his country from the
yoke of Sweden, or when, before the French invasion of 1812, they
organized bands of guerillas, or set fire to Moscow.
Public-domain text, read in full here on John Shaqi.
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