Russia: Its People and Its Literature — John Shaqi
Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
Hence in Russia, as in France prior to the Revolution, many thinkers
endeavor to revive the antiquated theory of the Genevan philosopher, and
proclaim the superiority of the natural man, by contact with whom
society, infected with Occidental senility, must be regenerated.
Discouraged by the incompatibility between the imported European
progress and the national tradition, unable to still the political
strife of a country where pessimist solutions are most natural and
weighty, their patriotism now uplifts, now shatters their hopes, even in
the case of those who disclaim and condemn individual patriotism, such
as Count Tolstoï; and then ensues the apotheosis of the past, the
veneration of national heroes and of the people. "The people is great,"
says Turguenief in his novel "Smoke;" "we are mere ragamuffins." And so
_the people_, which still bears traces of the marks of servitude, has
been converted into a mysterious divinity, the inspiration of
enthusiastic canticles.
[1] Voguié explains this title of "General" to be both in the civil and
military order with the qualification of "Excellency." Without living in
Russia one can hardly understand the prestige attached to this title, or
the facilities it gives everywhere for everything. To attain this
dignity is the supreme ambition of all the servants of the State. The
common salutation by way of pleasantry among friends is this line from
the comedy of Griboiëdof, which has become a proverb: "I wish you health
and the tchin of a General."--TR.
VII.
Social Classes in Russia.
Public-domain text, read in full here on John Shaqi.
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