English essays -- 20th century; Russia; Russia -- Fiction; Russia -- Social life and customs; Short stories, English
Here I wish to make a long parenthesis. One of the most striking
features among educated Russians of all classes, whether landowners,
doctors, lawyers, or officials, is the prevalence of what is called
“culture.” We consider “culture” as a luxury--something extra, a
pleasant appendage to education. The Russians consider culture and
education to be synonymous and “culture” to be indispensable. In their
eyes what they call a “cultured” and we call an educated man must
possess a certain wide general knowledge. He must be able to talk
authoritatively on literature, science, and the arts, the European
stage, etc. He is positively ashamed if he is caught ignorant of some
one like Sudermann or Finsen or Grieg. I have often seen Russians
amazed and aghast at the “unculturedness” of Englishmen who have taken
their degree at a University. This is not surprising considering that
for two or three generations boys in England no longer receive any kind
of instruction at schools. To the educated Russian, a certain wide
layer of general knowledge is considered absolutely indispensable.
He is ashamed to be without it. You meet with extraordinary examples
of this very often. For instance, I once knew a Cossack officer who
was well known for the rows he made in restaurants, for letting off
pistols at odd moments, and for fighting duels. He was what is called
in Russia a “skandalist” (a row-maker). This same man, I afterwards
found out, had written a most valuable work on the differential
calculus, and was one of the most brilliant of modern mathematicians.
Now this indispensable “culture” has its good sides, but it has its
bad sides also. It is often exaggerated in Russia just as ignorance
is exaggerated in England. In many cases what is called “culture”
and what is considered to be indispensable, is not culture at all,
but a terribly superficial smattering of thin-spread information,
possessing which its owner considers he has the right and even the
duty of pronouncing an arbitrary and final judgment on a subject of
which he knows nothing. I once knew an official employed in business in
Moscow who was perfectly aghast because he discovered I knew nothing,
that I had not even the shadow of pretence to any kind or sort of
knowledge of natural science, that I was ignorant and not ashamed of
being ignorant, of the elementary principles of dynamics. This same
official, secure of his position in what he considered a universal
field of “culture,” told me that Browning’s “Ring and the Book” was
an old-fashioned, milk-and-water poem, rather like one of Trollope’s
novels, and that Browning was a writer who was all sound and no sense,
a victim to a fatal fluency and an incredible facility of expression.
The result, therefore, of this culture is that in some cases it makes
the man genuinely many sided and widely appreciative, and in others, as
in the case I have just quoted, it leads him to express opinions of the
kind which the French call _saugrenu_.
Public-domain text, read in full here on John Shaqi.
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