Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
At the present time, the Russian language (the Great-Russian) is
remarkably free from _patois_. Little-Russian, or Ukraïnian,[1]
which is spoken by nearly 15,000,000 people, and has its own
literature--folk-lore and modern--is undoubtedly a separate language,
in the same sense as Norwegian and Danish are separate from Swedish, or
as Portuguese and Catalonian are separate from Castilian or Spanish.
White-Russian, which is spoken in some provinces of Western Russia, has
also the characteristics of a separate branch of the Russian, rather
than those of a local dialect. As to Great-Russian, or Russian, it is
spoken by a compact body of nearly eighty million people in Northern,
Central, Eastern, and Southern Russia, as also in Northern Caucasia and
Siberia. Its pronunciation slightly varies in different parts of this
large territory; nevertheless the literary language of Púshkin, Gógol,
Turguéneff, and Tolstóy is understood by all this enormous mass of
people. The Russian classics circulate in the villages by millions of
copies, and when, a few years ago, the literary property in Púshkin’s
works came to an end (fifty years after his death), complete editions
of his works--some of them in ten volumes--were circulated by the
hundred-thousand, at the almost incredibly low price of three shillings
(75 cents) the ten volumes; while millions of copies of his separate
poems and tales are sold now by thousands of ambulant booksellers
in the villages, at the price of from one to three farthings each.
Even the complete works of Gógol, Turguéneff, and Goncharóff, in
twelve-volume editions, have sometimes sold to the number of 200,000
sets each, in the course of a single year. The advantages of this
intellectual unity of the nation are self-evident.
EARLY FOLK-LITERATURE: FOLK-LORE--SONGS--SAGAS
The early folk-literature of Russia, part of which is still preserved
in the memories of the people alone, is wonderfully rich and full of
the deepest interest. No nation of Western Europe possesses such an
astonishing wealth of traditions, tales, and lyric folk-songs--some
of them of the greatest beauty--and such a rich cycle of archaic epic
songs, as Russia does. Of course, all European nations have had, once
upon a time, an equally rich folk-literature; but the great bulk of
it was lost before scientific explorers had understood its value or
begun to collect it. In Russia, this treasure was preserved in remote
villages untouched by civilisation, especially in the region round Lake
Onéga; and when the folk-lorists began to collect it, in the eighteenth
and nineteenth centuries, they found in Northern Russia and in Little
Russia old bards still going about the villages with their primitive
string instruments, and reciting poems of a very ancient origin.
Public-domain text, read in full here on John Shaqi.
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