Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
Besides, a variety of very old songs are sung still by the village folk
themselves. Every annual holiday--Christmas, Easter, Midsummer Day--has
its own cycle of songs, which have been preserved, with their melodies,
even from pagan times. At each marriage, which is accompanied by a very
complicated ceremonial, and at each burial, similarly old songs are
sung by the peasant women. Many of them have, of course, deteriorated
in the course of ages; of many others mere fragments have survived;
but, mindful of the popular saying that “never a word must be cast out
of a song,” the women in many localities continue to sing the most
antique songs in full, even though the meaning of many of the words has
already been lost.
There are, moreover, the _tales_. Many of them are certainly the
same as we find among all nations of Aryan origin: one may read them
in Grimm’s collection of fairy tales; but others came also from the
Mongols and the Turks; while some of them seem to have a purely Russian
origin. And next come the songs recited by wandering singers--the
_Kalíki_--also very ancient. They are entirely borrowed from the
East, and deal with heroes and heroines of other nationalities than
the Russian, such as “Akib, the Assyrian King,” the beautiful Helen,
Alexander the Great, or Rustem of Persia. The interest which these
Russian versions of Eastern legends and tales offer to the explorer of
folk-lore and mythology is self-evident.
Finally, there are the epic songs: the _bylíny_, which correspond to
the Icelandic _sagas_. Even at the present day they are sung in the
villages of Northern Russia by special bards who accompany themselves
with a special instrument, also of very ancient origin. The old singer
utters in a sort of recitative one or two sentences, accompanying
himself with his instrument; then follows a melody, into which each
individual singer introduces modulations of his own, before he resumes
next the quiet recitative of the epic narrative. Unfortunately, these
old bards are rapidly disappearing; but some five-and-thirty years
ago a few of them were still alive in the province of Olónets, to
the north-east of St. Petersburg, and I once heard one of them, whom
A. Hilferding had brought to the capital, and who sang before the
Russian Geographical Society his wonderful ballads. The collecting of
the epic songs was happily begun in good time--during the eighteenth
century--and it has been eagerly continued by specialists, so
that Russia possesses now perhaps the richest collection of such
songs--about four hundred--which has been saved from oblivion.
Public-domain text, read in full here on John Shaqi.
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