S. Hurok Presents; A Memoir of the Dance World — John Shaqi
S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
Nevertheless, I believe that the fact I was born in Russia not only
shaped my ends, but provided that divinity that changed a
common-or-garden-variety little boy into what I eventually became.
Consciously or unconsciously the Russian adores the artist, denies the
artist nothing. As a normal, healthy, small-town lad, in Pogar, deep in
the Ukraine, I sensed these things rather than understood them. For it
was in Pogar and Staradrube and Gomel, places of no importance, that I
not only came into contact with the Russian “adoration” of the artist;
but, something much more important, I drank in that love of music and
dance that has motivated the entire course of my life.
The Imperial Ballet was not a touring organization; and Pogar,
Staradrube and Gomel were far too unimportant and inconspicuous even to
be visited by vacationing stars on a holiday jaunt or barnstorming trip.
But the people of Pogar, Staradrube and Gomel sang and danced.
The people of Pogar (at most there might have been five thousand of
them) were a hard-working folk but they were a happy people, a
fun-loving people, when days work was done. Above all else they were a
hospitable people. Their chief source of livelihood was flax and
tobacco, a flourishing business in the surrounding countryside, which
served to provide the villagers with their means for life, since Pogar
was composed in the main of tradesmen and little supply houses which, in
turn, served the necessaries to the surrounding countryside.
Still fresh in my mind is the wonder of the changing seasons in Pogar,
always sharply contrasted, each with its joys, each having its tincture
of trouble. The joys remain, however; the troubles recede and vanish.
Winter and its long nights, with the long hauls through the snow to the
nearest railway station, forty frigid miles away: a two-day journey with
the sleighs; the bivouacked nights to rest the horses. I remember how
bitterly cold it was, as I lay in the sleigh or alternately sat beside
the driver, wrapped in heavy clothes and muffled to my eyes; how, in the
driving snow, horses and drivers would sometimes lose the road entirely,
and the time spent in retracing tracks until the posts and pine trees
marking what once had been the edges of the road were found. Then how,
with horses nearly exhausted and our spirits low, we would glimpse the
flickering of a light in the far distance, and, heading towards it,
would find a cluster of little peasant huts. Once arrived, we would
arouse these poor, simple people, sometimes from their beds, and would
be welcomed, not as strangers, but rather as old friends. I remember
how, in the dead of night, still full of sleep, they would prepare warm
food and hot tea; how they would insist on our taking their best and
warmest beds, those on the stove itself, while they would curl up in a
corner on the floor. Then, in the morning, after more hot tea and a
piping breakfast, horses fed and refreshed, they would send us on our
Public-domain text, read in full here on John Shaqi.
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