S. Hurok Presents; A Memoir of the Dance World — John Shaqi
S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
way with their blessing, stubbornly refusing to accept anything in the
way of payment for the night’s lodging.
This warm, human, generous hospitality of the Russian peasant has not
changed through devastation by war and pestilence. Neither Tsardom nor
Bolshevism could alter the basic humanity of the Russian people, who are
among the kindest and most hospitable on earth.
The winter nights in Pogar, when the snow ceased falling and the moon
shone on the tinselly scene, were filled with a magic and unforgettable
beauty. The Christmas feasting and festivities will remain with me
always. But the sharpest of all memories is the picture of the Easter
fun and frolic, preceded by the Carnival of Butter-Week. Spring had
come. It mattered little that Pogar’s unpaved roads were knee-deep in
mud; the sun was climbing to a greater warmth: that we knew. We knew the
days were drawing out. It was then that music and dance were greater,
keener pleasures than ever. Every one sang. All danced. Even the lame
and the halt tried to do a step or two.
We made the _Karavod_: dancing in a circle, singing the old,
time-honored songs. And there was an old resident, who lived along the
main roadway in a shabby little house set back from the lane itself, a
man who might have been any age at all--for he seemed ageless--who was a
_Skazatel_ of folk songs and stories. He narrated tales and sang stories
of the distant, remote past.
The village orchestra, come Easter time, tuned up out of doors. There
was always a violin and an accordion. That was basic; but if additional
musicians were free from their work, sometimes the orchestra was
augmented by a _balalaika_ or two, a guitar or a zither--a wonderful
combination--particularly when the contrabass player was at liberty.
They played, and we all sang, above all, we sang folk song after folk
song. Then we danced: polkas without end, and the _Crakoviak_; and the
hoppy, jumpy _Maiufess_, while the wonderful little band proceeded to
outdo itself with heartrending vibratos, tremulous tremolos, and
glissandos that rushed up and down all the octaves.
Spring merged into summer. The lilacs and the violets faded; but the
summer evenings were long and the change from day to night was slow and
imperceptible. It took the sun many hours to make up its mind to
disappear behind the horizon, and even then, after the edge of the
burning disk had been swallowed up by the edge of the Ukranian plain,
its scarlet, orange and pink memories still lingered fondly on the sky,
and on the surface of our little lake, as if it were reluctant to leave
our quiet land.
It was then the music rose again; the _balalaikas_ strummed, and I, as
poor a _balalaika_ player as ever there was, added tenuous chords to the
melodies. From the near distance came the sound of a boy singing to the
accompaniment of a wooden flute; and, as he momentarily ceased, from an
even greater distance came the thin wail of a shepherd’s pipe.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account