Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
With the silence of an extinct world still heavy upon us, we made
our way to the upper end of the valley, but at the gates of the plain
Life came surging to meet us. A wild hollyhock stood sentinel among
the stones; it had spread some of its yellow petals for banner, and on
its uplifted spears the buds were fat and creamy with coming bloom.
Rain had fallen in the night, and had called the wilderness itself to
life, clothing its thorns with a purple garment of tiny flowers; the
delicious sun struck upon our shoulders; a joyful little wind blew the
damp, sweet smell of the reviving earth in gusts towards us; our horses
sniffed the air and, catching the infection of the moment, tugged at
the bit and set off at racing speed across the rain-softened ground.
And we, too, passed out of the silence and remembered that we lived.
Life seized us and inspired us with a mad sense of revelry. The humming
wind and the teeming earth shouted ‘Life! life!’ as we rode. Life!
life! the bountiful, the magnificent! Age was far from us--death far;
we had left him enthroned in his barren mountains, with ghostly cities
and out-worn faiths to bear him company. For us the wide plain and the
limitless world, for us the beauty and the freshness of the morning,
for us youth and the joy of living!
_IN PRAISE OF GARDENS_
THERE is a couplet in an Elizabethan book of airs which might serve as
a motto for Eastern life: ‘Thy love is not thy love,’ says the author
of the songs in the ‘Muses’ Garden of Delights’ (and the pretty stilted
title suits the somewhat antiquated ring of the lines):
‘Thy love is not thy love if not thine own,
And so it is not, if it once be known.’
If it once be known! Ah yes! the whole charm of possession vanishes
before the gaze of curious eyes, and for them, too, charm is driven
away by familiarity. It takes the mystery of a Sphinx to keep the
world gazing for thirty centuries. The East is full of secrets--no one
understands their value better than the Oriental; and because she is
full of secrets she is full of entrancing surprises. Many fine things
there are upon the surface: brilliance of colour, splendour of light,
solemn loneliness, clamorous activity; these are only the patterns upon
the curtain which floats for ever before the recesses of Eastern life,
its essential charm is of more subtle quality. As it listeth, it comes
and goes; it flashes upon you through the open doorway of some blank,
windowless house you pass in the street, from under the lifted veil
of the beggar woman who lays her hand on your bridle, from the dark,
contemptuous eyes of a child; then the East sweeps aside her curtains,
flashes a facet of her jewels into your dazzled eyes, and disappears
again with a mocking little laugh at your bewilderment; then for a
moment it seems to you that you are looking her in the face, but while
you are wondering whether she be angel or devil, she is gone.
Public-domain text, read in full here on John Shaqi.
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