Safar Nameh, Persian Pictures: A Book Of Travel — John Shaqi
Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
She will not stay--she prefers the unexpected; she will keep her
secrets and her tantalizing charm with them, and when you think you
have caught at last some of her illusive grace, she will send you back
to shrouded figures and blank house-fronts.
You must be content to wait, and perhaps some day, when you find her
walking in her gardens in the cool of the evening, she will take a
whim to stop and speak to you, and you will go away fascinated by her
courteous words and her exquisite hospitality.
For it is in her gardens that she is most herself--they share her
charm, they are as unexpected as she. Conceive on every side such a
landscape as the dead world will exhibit when it whirls naked and
deserted through the starry interspace--a gray and featureless plain,
over which the dust-clouds rise and fall, build themselves into mighty
columns, and sink back again among the stones at the bidding of hot and
fitful winds; prickly low-growing plants for all vegetation, leafless,
with a foliage of thorns; white patches of salt, on which the sunlight
glitters; a fringe of barren mountains on the horizon.... Yet in this
desolation lurks the mocking beauty of the East. A little water and the
desert breaks into flower, bowers of cool shade spring up in the midst
of dust and glare, radiant stretches of soft colour gleam in that gray
expanse. Your heart leaps as you pass through the gateway in the mud
wall; so sharp is the contrast, that you may stand with one foot in an
arid wilderness and the other in a shadowy, flowery paradise. Under the
broad thick leaves of the plane-trees tiny streams murmur, fountains
splash with a sweet fresh sound, white-rose bushes drop their fragrant
petals into tanks, lying deep and still like patches of concentrated
shadow. The indescribable charm of a Persian garden is keenly present
to the Persians themselves--the ‘strip of herbage strown, which just
divides the desert from the sown,’ an endlessly beautiful parable.
Their poets sing the praise of gardens in exquisite verses, and call
their books by their names. I fear the Muses have wandered more
often in Sa’di’s Garden of Roses than in the somewhat pretentious
pleasure-ground which our Elizabethan writer prepared for them.
The desert about Tehran is renowned for the beauty of its gardens. The
Shah possesses several, others belong to his sons, others to powerful
ministers and wealthy merchants. Sometimes across the gateways a chain
is drawn, denoting that the garden is Bast--sanctuary--and into these
the European may not go; but places of refuge for the hunted criminal
are, fortunately, few, and generally the garden is open to all comers.
Public-domain text, read in full here on John Shaqi.
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