Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
Perhaps the most beautiful of all is one which belongs to the Shah,
and which lies under a rocky hillock crowned with the walls and
towers of a palace. We found ourselves at its gate one evening, after
an aimless canter across the desert, and determined to enter. The
loiterers in the gateway let us pass through unchallenged. We crossed
the little entrance-court and came into a long dark avenue, fountains
down the middle of it, and flower-beds, in which the plants were pale
and meagre for want of light; roses, the pink flowers which scent the
rosewater, and briars, a froth of white and yellow bloom, growing along
its edges in spite of the deep shade of the plane-trees. Every tiny
rill of water was fringed with violet leaves--you can imagine how in
the spring the scent of the violets greets you out in the desert when
you are still far away, like a hospitable friend coming open-armed
down his steps to welcome you. We wandered along intersecting avenues,
until we came to one broader than the rest, at the end of which stood a
little house. Tiny streams flowed round and about it, flowed under its
walls and into its rooms; fountains splashed ceaselessly in front of
it, a soft light wind swayed the heavy folds of the patterned curtains
hanging half-way down across its deep balconies. The little dwelling
looked like a fairy palace, jewelled with coloured tiles, unreal and
fantastic, built half out of the ripple of water, and half out of
the shadowy floating of its great curtains. Two or three steps and a
narrow passage, and we were in the central room--such a room to lie and
dream in through the hot summer days!--tiled with blue, in the middle
an overflowing fountain, windows on either side opening down to the
ground, the vaulted ceiling and the alcoved walls set with a mosaic of
looking-glass, in whose diamonds and crescents the blue of the tiles
and the spray of the tossing waters were reflected.
As we sat on the deep step of the windowsill, a door opened softly,
and a long-robed Persian entered. He carried in his hand a twanging
stringed instrument, with which he established himself at the further
side of the fountain, and began to play weird, tuneless melodies on its
feeble strings--an endless, wailing minor. Evening fell, and the dusk
gathered in the glittering room, the fountain bubbled lower and sank
into silence, the wind blew the sweet smell of roses in to us where we
sat--and still the Persian played, while in the garden the nightingales
called to one another with soft thrilling notes.
Public-domain text, read in full here on John Shaqi.
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