Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
Shortly after we landed in Persia we came unexpectedly upon the story
of the martyrdom. In the main street of Kasvin, up which we were
strolling while our horses were being changed (for we were on our
way to Tehran), we found a crowd assembled under the plane-trees. We
craned over the shoulders of Persian peasants, and saw in the centre
of the circle a group of players, some in armour, some robed in long
black garments, who were acting a passion play, of which Hussein was
the hero. One was mounted on a horse which, at his entries and exits,
he was obliged to force through the lines of people which were the
only wings of his theatre; but except for the occasional scuffle he
caused among the audience, there was little action in the piece--or, at
least, in the part of it which we witnessed--for the players confined
themselves to passing silently in and out, pausing for a moment in the
empty space which represented the stage, while a mollah, mounted in
a sort of pulpit, read aloud the incidents they were supposed to be
enacting.
But with the beginning of Muharram the latent religious excitement
of the East broke loose. Every evening at dusk the wailing cries of
the mourners filled the stillness, rising and falling with melancholy
persistence all through the night, until dawn sent sorrow-stricken
believers to bed, and caused sleepless unbelievers to turn with a sigh
of relief upon their pillows. At last the tenth day of Muharram came--a
day of deep significance to all Mohammedans, since it witnessed the
creation of Adam and Eve, of heaven and hell, of life and death; but to
the Shiahs of tenfold deeper moment, for on it Hussein’s martyrdom was
accomplished.
Early in the afternoon sounds of mourning rose from the village. The
inhabitants formed themselves into procession, and passed up the shady
outlying avenues, and along the strip of desert which led back into
the principal street--a wild and savage band whose grief was a strange
tribute to the chivalrous hero whose bones have been resting for twelve
centuries in the Plain of Kerbela. But tribute of a kind it was. Many
brave men have probably suffered greater tortures than Hussein’s, and
borne them with as admirable a fortitude; but he stands among the few
to whom that earthly immortality has been awarded which is acknowledged
to be the best gift the capricious world holds in her hands. If he
shared in the passionate desire to be remembered which assails every
man on the threshold of forgetfulness, it was not in vain that he died
pierced with a hundred spears; and though his funeral obsequies were
brief twelve hundred years ago, the sound of them has echoed down the
centuries with eternal reverberation until to-day.
Public-domain text, read in full here on John Shaqi.
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