Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
First in the procession came a troop of little boys, naked to the
waist, leaping round a green-robed mollah, who was reciting the woes of
the Imam as he moved forward in the midst of his disordered crew. The
boys jumped and leapt round him, beating their breasts--there was no
trace of sorrow on their faces. They might have been performing some
savage dance as they came onwards, a compact mass of bobbing heads
and naked shoulders--a dance in which they themselves took no kind
of interest, but in which they recognised that it was the duty of a
Persian boy to take his part. They were followed by men bearing the
standards of the village--long poles surmounted by trophies of beads
and coloured silks, streamers and curious ornaments; and in the rear
came another reciter and another body of men, beating their breasts,
from which the garments were torn back, striking their foreheads and
repeating the name of the Imam in a monotonous chorus, interspersed
with cries and groans.
But it was in the evening that the real ceremony took place. The
bazaar in the centre of the village was roofed over with canvas and
draped with cheap carpets and gaudy cotton hangings; a low platform
was erected at one end, and the little shops were converted into
what looked very like the boxes of a theatre. They were hung with
bright-coloured stuffs and furnished with chairs, on which the
notabilities sat and witnessed the performance, drinking sherbet and
smoking kalyans the while. We arrived at about nine o’clock and found
the proceedings in full swing. The tent was crowded with peasants, some
standing, some sitting on the raised edge of a fountain in the centre.
Round this fountain grew a mass of oleander-trees, their delicate
leaves and exquisite pink flowers standing out against the coarse
blue cotton of the men’s clothing, and clustering round the wrinkled,
toil-worn peasant faces. On the platform was a mollah, long-robed and
white-turbaned, who was reading exhortations and descriptions of the
martyrdom with a drawling, chanting intonation. At his feet the ground
was covered with women, their black cloaks tucked neatly round them,
sitting with shrouded heads and with the long strip of white linen veil
hanging over their faces and down into their laps. They looked for all
the world like shapeless black and white parcels set in rows across the
floor. The mollah read on, detailing the sufferings of the Imam: ‘He
thirsted, he was an hungered!’ the women rocked themselves to and fro
in an agony of grief, the men beat their bare breasts, tears streamed
over their cheeks, and from time to time they took up the mollah’s
words in weary, mournful chorus, or broke into his story with a
murmured wail, which gathered strength and volume until it had reached
the furthest corners of the tent: ‘Hussein! Hussein! Hussein!’
Public-domain text, read in full here on John Shaqi.
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