Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
It was intensely hot. Cheap European lamps flared and smoked against
the canvas walls, casting an uncertain light upon the pink oleander
flowers, the black-robed women, and the upturned faces of the men,
streaming with sweat and tears, and all stricken and furrowed with
cruel poverty and hunger--their sufferings would have made a longer
catalogue than those of the Imam. The mollah tore his turban from his
head and cast it upon the ground, and still he chanted on, and the
people took up the throbbing cry: ‘Hussein! Hussein! Hussein!’
Presently a dervish shouldered his way through the throng. A scanty
garment was knotted round his loins, his ragged hair hung over his
shoulders, and about his head was bound a brilliant scarf, whose
stripes of scarlet and yellow fell down his naked back. He had come
from far; he held a long staff in his hands, and the dust of the
wilderness was on the shoes which he laid by the edge of the platform.
He stood there, reciting, praying, exhorting--a wild figure, with eyes
in which flashed the madness of religious fanaticism, straining forward
with passionate gestures through the smoky light which shone on his
brilliant headgear and on his glistening face, distorted by suffering
and excitement. When he had finished speaking he stepped off the
platform, picked up his shoes and staff, and hurried out into the night
to bear his eloquence to other villages....
There is nothing more difficult to measure than the value of visible
emotion. To the Englishman tears are a serious matter; they denote only
the deepest and the most ungovernable feelings, they are reserved for
great occasions. Commonplace sensations are, in his opinion, scarcely
worth bringing on to the surface. The facile expression of emotion
in a foreigner is surprising to him--he can scarcely understand the
gestures of a nation so little removed from him as the French, and he
is apt to be led astray by what seems to him the visible sign of great
excitement, but which to them is only a natural emphasis of speech.
In the East these difficulties are ten times greater. The gesture
itself has often a totally different significance; the Turk nods his
head when he says ‘No,’ and shakes it when he wishes to imply assent;
and even when this is not the case, the feeling which underlies it is
probably quite incomprehensible--quite apart from the range of Western
emotion--and its depth and duration are ruled by laws of which we
have no knowledge. The first thing which strikes us in the Oriental
is his dignified and impassive tranquillity. When we suddenly come
upon the other side of him, and find him giving way, for no apparent
reason, to uncontrolled excitement, we are ready to believe that
only the most violent feelings could have moved him so far from his
habitual calm. So it was that evening. At first it seemed to us that
we were looking upon people plunged into the blackest depths of grief,
but presently it dawned upon us that we were grossly exaggerating
Public-domain text, read in full here on John Shaqi.
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