Natural history -- Sahara; Sahara -- Description and travel
“That is bad news, Elatu,” I replied. “But we will get
through—we always have—and we will again.”
“Break up Awena’s load to-night when we camp and take him
along empty, if he can walk—if not, we will have to turn him
loose to take his chance, or shoot him, if there is no prospect
of grazing. Split up his main baggage among the fittest animals,
if you can—if not, we will have to risk letting some food go.
“Gumbo tells me Sili is ill this morning. I’m afraid he won’t
last much longer, poor lad. He has been sick too often lately,
and looks bad.” I passed Elatu two aspirin tabloids. “Give him
those and make him ride all day with his eyes covered from the sun
so far as possible. Also, let him have extra water if he wants it
badly before the end of the day.”
My camel went on, and Elatu halted. He would find Sili in the rear.
Camels—men—food—water—those make up one endless round
of anxiety to all who travel the vast, empty world that makes
up uttermost desert. Therein Nature is antagonistic to anything
that lives. Wherefore, to those who venture forth, life is alert
to its very foundation, and the contest for existence severe,
and often bitter. Long, weary days bring few successes, and many
disappointments and failures; and great lessons of life are taught
and comprehended, though few words go forth in complaint of those
things of tragedy and disaster that men keep hidden away in the
closed book of the soul.
I muse in my saddle over the strange gamble of it all, so similar,
in plan, to the gamble of life, familiar to most of us who have
intimately known struggle for existence. But here the gamble
is intensified, the material rude and raw, with vast wastes of
barrenness immediate on all sides, and on the very threshold,
ready to engulf and destroy the moment weakness is declared.
[Illustration: “THE LONG, EXACTING MARCH”]
I am still pondering over this philosophy when I become aware
that there is just a faint glow of light commencing to show in the
east. It is the first indication of dawn.
Ever so slowly it increases till the distant line between earth
and sky begins to form.
In a little time it is discerned that the light is coming from
behind the earth, below the far eastern horizon.
Gradually the stars go out, and the earth becomes mistily unfolded.
We are alert to know the prospect of the landscape—hopeful of
change to cheer our way. But, when the full expanse is revealed,
the morning is as yesterday—no “land” in sight—nothing but
the same old vast endless “sea” of sand that has come to be so
familiar and so haunting.
But, with the light, comes a lifting of spirits. The men commence to
chatter; and someone breaks into hopeful rhythmic song—a love-lilt
of a tribe, reminiscent of home-fond memories. Others pick it up,
rough-tuned and jazz-fashion, and a gay voice laughs after it has
inserted a sly line or two of misquotation to point the words to
a comrade’s sweetheart.
Public-domain text, read in full here on John Shaqi.
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