Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
But that there are forces at work which use individuals for purposes far
transcending the purpose of keeping these individuals alive and
prosperous and respectable and safe and happy in the middle station in
life, which is all any good bourgeois can reasonably require, is
established by the fact that men will, in the pursuit of knowledge and
of social readjustments for which they will not be a penny the better,
and are indeed often many pence the worse, face poverty, infamy, exile,
imprisonment, dreadful hardship, and death. Even the selfish pursuit of
personal power does not nerve men to the efforts and sacrifices which
are eagerly made in pursuit of extensions of our power over nature,
though these extensions may not touch the personal life of the seeker at
any point. There is no more mystery about this appetite for knowledge
and power than about the appetite for food: both are known as facts and
as facts only, the difference between them being that the appetite for
food is necessary to the life of the hungry man and is therefore a
personal appetite, whereas the other is an appetite for evolution, and
therefore a superpersonal need.
The diverse manners in which our imaginations dramatize the approach of
the superpersonal forces is a problem for the psychologist, not for the
historian. Only, the historian must understand that visionaries are
neither impostors nor lunatics. It is one thing to say that the figure
Joan recognized as St Catherine was not really St Catherine, but the
dramatization by Joan’s imagination of that pressure upon her of the
driving force that is behind evolution which I have just called the
evolutionary appetite. It is quite another to class her visions with the
vision of two moons seen by a drunken person, or with Brocken spectres,
echoes and the like. Saint Catherine’s instructions were far too cogent
for that; and the simplest French peasant who believes in apparitions of
celestial personages to favored mortals is nearer to the scientific
truth about Joan than the Rationalist and Materialist historians and
essayists who feel obliged to set down a girl who saw saints and heard
them talking to her as either crazy or mendacious. If Joan was mad, all
Christendom was mad too; for people who believe devoutly in the
existence of celestial personages are every whit as mad in that sense as
the people who think they see them. Luther, when he threw his inkhorn at
the devil, was no more mad than any other Augustinian monk: he had a
more vivid imagination, and had perhaps eaten and slept less: that was
all.
The mere Iconography does not matter.
Public-domain text, read in full here on John Shaqi.
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