Saint Joan : $b A chronicle play in six scenes and an epilogue — John Shaqi
Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
In the same way Joan must be judged a sane woman in spite of her voices
because they never gave her any advice that might not have come to her
from her mother wit exactly as gravitation came to Newton. We can all
see now, especially since the late war threw so many of our women into
military life, that Joan’s campaigning could not have been carried on in
petticoats. This was not only because she did a man’s work, but because
it was morally necessary that sex should be left out of the question as
between her and her comrades-in-arms. She gave this reason herself when
she was pressed on the subject; and the fact that this entirely
reasonable necessity came to her imagination first as an order from God
delivered through the mouth of Saint Catherine does not prove that she
was mad. The soundness of the order proves that she was unusually sane;
but its form proves that her dramatic imagination played tricks with her
senses. Her policy was also quite sound: nobody disputes that the relief
of Orleans, followed up by the coronation at Rheims of the Dauphin as a
counterblow to the suspicions then current of his legitimacy and
consequently of his title, were military and political masterstrokes
that saved France. They might have been planned by Napoleon or any other
illusionproof genius. They came to Joan as an instruction from her
Counsel, as she called her visionary saints; but she was none the less
an able leader of men for imagining her ideas in this way.
The Evolutionary Appetite.
What then is the modern view of Joan’s voices and visions and messages
from God? The nineteenth century said that they were delusions, but that
as she was a pretty girl, and had been abominably ill-treated and
finally done to death by a superstitious rabble of medieval priests
hounded on by a corrupt political bishop, it must be assumed that she
was the innocent dupe of these delusions. The twentieth century finds
this explanation too vapidly commonplace, and demands something more
mystic. I think the twentieth century is right, because an explanation
which amounts to Joan being mentally defective instead of, as she
obviously was, mentally excessive, will not wash. I cannot believe, nor,
if I could, could I expect all my readers to believe, as Joan did, that
three ocularly visible well dressed persons, named respectively Saint
Catherine, Saint Margaret, and Saint Michael, came down from heaven and
gave her certain instructions with which they were charged by God for
her. Not that such a belief would be more improbable or fantastic than
some modern beliefs which we all swallow; but there are fashions and
family habits in belief, and it happens that, my fashion being Victorian
and my family habit Protestant, I find myself unable to attach any such
objective validity to the form of Joan’s visions.
Public-domain text, read in full here on John Shaqi.
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