Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
Joan’s other abnormality, too common among uncommon things to be
properly called a peculiarity, was her craze for soldiering and the
masculine life. Her father tried to frighten her out of it by
threatening to drown her if she ran away with the soldiers, and ordering
her brothers to drown her if he were not on the spot. This extravagance
was clearly not serious: it must have been addressed to a child young
enough to imagine that he was in earnest. Joan must therefore as a child
have wanted to run away and be a soldier. The awful prospect of being
thrown into the Meuse and drowned by a terrible father and her big
brothers kept her quiet until the father had lost his terrors and the
brothers yielded to her natural leadership; and by that time she had
sense enough to know that the masculine and military life was not a mere
matter of running away from home. But the taste for it never left her,
and was fundamental in determining her career.
If anyone doubts this, let him ask himself why a maid charged with a
special mission from heaven to the Dauphin (this was how Joan saw her
very able plan for retrieving the desperate situation of the uncrowned
king) should not have simply gone to the court as a maid, in woman’s
dress, and urged her counsel upon him in a woman’s way, as other women
with similar missions had come to his mad father and his wise
grandfather. Why did she insist on having a soldier’s dress and arms and
sword and horse and equipment, and on treating her escort of soldiers as
comrades, sleeping side by side with them on the floor at night as if
there were no difference of sex between them? It may be answered that
this was the safest way of travelling through a country infested with
hostile troops and bands of marauding deserters from both sides. Such an
answer has no weight, because it applies to all the women who travelled
in France at that time, and who never dreamt of travelling otherwise
than as women. But even if we accept it, how does it account for the
fact that when the danger was over, and she could present herself at
court in feminine attire with perfect safety and obviously with greater
propriety, she presented herself in her man’s dress, and instead of
urging Charles, like Queen Victoria urging the War Office to send
Roberts to the Tranvaal, to send D’Alençon, De Rais, La Hire and the
rest to the relief of Dunois at Orleans, insisted that she must go
herself and lead the assault in person? Why did she give exhibitions of
her dexterity in handling a lance, and of her seat as a rider? Why did
she accept presents of armor and chargers and masculine surcoats, and in
every action repudiate the conventional character of a woman? The simple
answer to all these questions is that she was the sort of woman that
wants to lead a man’s life. They are to be found wherever there are
armies on foot or navies on the seas, serving in male disguise, eluding
detection for astonishingly long periods, and sometimes, no doubt,
Public-domain text, read in full here on John Shaqi.
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