Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
escaping it entirely. When they are in a position to defy public opinion
they throw off all concealment. You have your Rosa Bonheur painting in
male blouse and trousers, and George Sand living a man’s life and almost
compelling her Chopins and De Mussets to live women’s lives to amuse
her. Had Joan not been one of those “unwomanly women,” she might have
been canonized much sooner.
But it is not necessary to wear trousers and smoke big cigars to live a
man’s life any more than it is necessary to wear petticoats to live a
woman’s. There are plenty of gowned and bodiced women in ordinary civil
life who manage their own affairs and other people’s, including those of
their menfolk, and are entirely masculine in their tastes and pursuits.
There always were such women, even in the Victorian days when women had
fewer legal rights than men, and our modern women magistrates, mayors,
and members of Parliament were unknown. In reactionary Russia in our own
century a woman soldier organized an effective regiment of amazons,
which disappeared only because it was Aldershottian enough to be against
the Revolution. The exemption of women from military service is founded,
not on any natural inaptitude that men do not share, but on the fact
that communities cannot reproduce themselves without plenty of women.
Men are more largely dispensable, and are sacrificed accordingly.
Was Joan Suicidal.
These two abnormalities were the only ones that were irresistibly
prepotent in Joan; and they brought her to the stake. Neither of them
was peculiar to her. There was nothing peculiar about her except the
vigor and scope of her mind and character, and the intensity of her
vital energy. She was accused of a suicidal tendency; and it is a fact
that when she attempted to escape from Beaurevoir Castle by jumping from
a tower said to be sixty feet high, she took a risk beyond reason,
though she recovered from the crash after a few days fasting. Her death
was deliberately chosen as an alternative to life without liberty. In
battle she challenged death as Wellington did at Waterloo, and as Nelson
habitually did when he walked his quarter deck during his battles with
all his decorations in full blaze. As neither Nelson nor Wellington nor
any of those who have performed desperate feats, and preferred death to
captivity, have been accused of suicidal mania, Joan need not be
suspected of it. In the Beaurevoir affair there was more at stake than
her freedom. She was distracted by the news that Compiègne was about to
fall; and she was convinced that she could save it if only she could get
free. Still, the leap was so perilous that her conscience was not quite
easy about it; and she expressed this, as usual, by saying that Saint
Catherine had forbidden her to do it, but forgave her afterwards for her
disobedience.
Joan Summed Up.
Public-domain text, read in full here on John Shaqi.
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