Coming off duty at that very moment, Leila Lynch decided to have her
hour's walk before she went home. She was in charge of two wards, and
as a rule took the day watches; but some slight upset had given her this
extra spell. She was, therefore, at her worst, or perhaps at her best,
after eighteen hours in hospital. Her cheeks were pale, and about her
eyes were little lines, normally in hiding. There was in this face a
puzzling blend of the soft and hard, for the eyes, the rather full lips,
and pale cheeks, were naturally soft; but they were hardened by
the self-containment which grows on women who have to face life for
themselves, and, conscious of beauty, intend to keep it, in spite of
age. Her figure was contradictory, also; its soft modelling a little too
rigidified by stays. In this desert of the dawn she let her long
blue overcoat flap loose, and swung her hat on a finger, so that
her light-brown, touched-up hair took the morning breeze with fluffy
freedom. Though she could not see herself, she appreciated her
appearance, swaying along like that, past lonely trees and houses. A
pity there was no one to see her in that round of Regent's Park, which
took her the best part of an hour, walking in meditation, enjoying the
colour coming back into the world, as if especially for her.
There was character in Leila Lynch, and she had lived an interesting
life from a certain point of view. In her girlhood she had fluttered the
hearts of many besides Cousin Edward Pierson, and at eighteen had made
a passionate love match with a good-looking young Indian civilian, named
Fane. They had loved each other to a standstill in twelve months. Then
had begun five years of petulance, boredom, and growing cynicism, with
increasing spells of Simla, and voyages home for her health which was
really harmed by the heat. All had culminated, of course, in another
passion for a rifleman called Lynch. Divorce had followed, remarriage,
and then the Boer War, in which he had been badly wounded. She had gone
out and nursed him back to half his robust health, and, at twenty-eight,
taken up life with him on an up-country farm in Cape Colony. This middle
period had lasted ten years, between the lonely farm and an old Dutch
house at High Constantia. Lynch was not a bad fellow, but, like most
soldiers of the old Army, had been quite carefully divested of an
aesthetic sense. And it was Leila's misfortune to have moments when
aesthetic sense seemed necessary. She had struggled to overcome this
weakness, and that other weakness of hers—a liking for men's
admiration; but there had certainly been intervals when she had not
properly succeeded. Her acquaintance with Jimmy Fort had occurred during
one of these intervals, and when he went back to England so abruptly,
she had been feeling very tenderly towards him. She still remembered him
with a certain pleasure. Before Lynch died, these “intervals” had
been interrupted by a spell of returning warmth for the invalided man to
Public-domain text, read in full here on John Shaqi.
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