Salt mines and castles: The discovery and restitution of looted European artHowe, Thomas Carr
History
Salt mines and castles: The discovery and restitution of looted European art
Howe, Thomas Carr
Art -- Europe; World War, 1939-1945 -- Art and the war; World War, 1939-1945 -- Confiscations and contributions
A second excursion took us still farther afield. On an overcast morning
two days later, Buchman, Charlie Kuhn, Captain Rudolph Vassalle (who was
the Public Safety Officer of the detachment) and I set out in the little
Opel sedan which had been assigned the MFA&A office. We struck out to the
east of Frankfurt on the road to Gelnhausen. We stopped at this pleasant
little town with its lovely, early Gothic church and went through the
formality of obtaining clearance from the local Military Government
Detachment to make an inspection in that area.
From there we continued by a winding secondary road which led us through
increasingly hilly country to Bad Brückenau. Our mission there was
twofold: Captain Vassalle wanted to track down a young Nazi officer,
reportedly a member of the SS, and to find a warehouse said to contain
valuable works of art. I had gathered from Buchman that many such reports
petered out on investigation. Still, there was always the chance that
the one you dismissed as of no importance would turn out to be something
worth while.
[Illustration: The bronze coffin of Friedrich Wilhelm of Prussia was
found in a mine near Bernterode.]
[Illustration: Canova’s life-size marble statue of Napoleon’s sister was
found at the monastery of Hohenfurth.]
[Illustration: The administration buildings at the salt mine at Alt
Aussee, Austria. Removal of stolen art treasures from the mine was
carried out late in 1945.]
[Illustration: Truck at entrance to the main building of the mine is
being loaded with paintings, to be taken to Munich for dispersal to their
owner nations.]
After making several inquiries, we eventually located a small house on
the edge of town. In response to our insistent hammering, the door of
the house was finally opened by a pallid young man probably in his late
twenties. If he was the object of the captain’s search he had certainly
undergone a remarkable metamorphosis, for he bore little resemblance to
the dapper officer of whom Captain Vassalle carried a photograph for
identification. The captain seemed satisfied that he was the man. So
leaving them in conversation, the three of us followed up the business
of the reported works of art. The other two occupants of the house—an
old man and a young woman who may have been the wife of the man who
had opened the door—responded to our questions with alacrity and took
us to the cellar. There we were shown a cache of pictures, all of them
unframed and none of them of any value. They appeared to be what the old
man claimed—their own property, brought to Bad Brückenau when they had
left Frankfurt to escape the bombings. In any case, we made a listing of
the canvases, identifying them as best we could and making notations of
the sizes, and also admonishing the couple not to remove them from the
premises.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account