Salve Venetia, gleanings from Venetian history; vol. IICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. II
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
A. He holds a plate to see what Saint Peter will give him.
Q. Tell us what the third is doing.
A. He is picking his teeth with his fork.
Q. And who are really the persons whom you admit to have been
present at this Supper?
A. I believe that there was only Christ and His Apostles; but when
I have some space left over in a picture I adorn it with figures of
my own invention.
Q. Did some person order you to paint Germans, buffoons, and other
similar figures in this picture?
A. No, but I was commissioned to adorn it as I thought proper; now
it is very large and can contain many figures.
Q. Should not the ornaments which you were accustomed to paint in
pictures be suitable and in direct relation to the subject, or are
they left to your fancy, quite without discretion or reason?
A. I paint my pictures with all the considerations which are
natural to my intelligence, and according as my intelligence
understands them.
Q. Does it seem suitable to you, in the Last Supper of our Lord, to
represent buffoons, drunken Germans, dwarfs, and other such
absurdities?
A. Certainly not.
Q. Then why have you done it?
A. I did it on the supposition that those people were outside the
room in which the Supper was taking place.
Q. Do you not know that in Germany and other countries infested by
heresy, it is habitual, by means of pictures full of absurdities,
to vilify and turn to ridicule the things of the Holy Catholic
Church, in order to teach false doctrine to ignorant people who
have no common sense?
A. I agree that it is wrong, but I repeat what I have said, that it
is my duty to follow the examples given me by my masters.
Q. Well, what did your masters paint? Things of this kind, perhaps?
A. In Rome, in the Pope’s Chapel, Michel Angelo has represented Our
Lord, His Mother, St. John, St. Peter, and the celestial court; and
he has represented all these personages nude, including the Virgin
Mary, and in various attitudes not inspired by the most profound
religious feeling.
Q. Do you not understand that in representing the Last Judgment, in
which it is a mistake to suppose that clothes are worn, there was
no reason for painting any? But in these figures what is there that
is not inspired by the Holy Spirit? There are neither buffoons,
dogs, weapons, nor other absurdities. Do you think therefore,
according to this or that view, that you did well in so painting
your picture, and will you try to prove that it is a good and
decent thing?
Public-domain text, read in full here on John Shaqi.
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