Salve Venetia, gleanings from Venetian history; vol. IICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. II
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
[Illustration: S. SAMUELE]
here; and this for many reasons, which I will tell, when occasion
is granted me to speak.
Q. What is the picture to which you have been referring?
A. It is the picture which represents the Last Supper of Jesus
Christ with His disciples in the house of Simon.
Q. Where is this picture?
A. In the refectory of the monks of San Giovanni e Paolo.
Q. Is it painted in fresco or on wood or on canvas?
A. It is on canvas.
Q. How many feet does it measure in height?
A. It may measure seventeen feet.
Q. And in breadth?
A. About thirty-nine.
Q. In this Supper of our Lord, have you painted (other) persons?
A. Yes.
Q. How many have you represented? And what is each one doing?
A. First there is the innkeeper, Simon; then, under him, a carving
squire whom I supposed to have come there for his pleasure, to see
how the service of the table is managed. There are many other
figures which I cannot remember, however, as it is a long time
since I painted that picture.
Q. Have you painted other Last Suppers besides that one?
A. Yes.
Q. How many have you painted? Where are they?
A. I painted one at Verona for the reverend monks of San Lazzaro;
it is in their refectory. Another is in the refectory of the
reverend brothers of San Giorgio here in Venice.
Q. But that one is not a Last Supper, and is not even called the
Supper of Our Lord.
A. I painted another in the refectory of San Sebastiano in Venice,
another at Padua for the Fathers of the Maddalena. I do not
remember to have made any others.
Q. In this Supper which you painted for San Giovanni e Paolo, what
signifies the figure of him whose nose is bleeding?
A. He is a servant who has a nose-bleed from some accident?
Q. What signify those armed men dressed in the fashion of Germany,
with halberds in their hands?
A. It is necessary here that I should say a score of words.
Q. Say them.
A. We painters use the same license as poets and madmen, and I
represented those halberdiers, the one drinking, the other eating
at the foot of the stairs, but both ready to do their duty, because
it seemed to me suitable and possible that the master of the house,
who as I have been told was rich and magnificent, should have such
servants.
Q. And the one who is dressed as a jester with a parrot on his
wrist, why did you put him into the picture?
A. He is there as an ornament, as it is usual to insert such
figures.
Q. Who are the persons at the table of Our Lord?
A. The twelve apostles.
Q. What is Saint Peter doing, who is the first?
A. He is carving the lamb in order to pass it to the other part of
the table.
Q. What is he doing who comes next?
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