Sam in the SuburbsWodehouse, P. G. (Pelham Grenville)
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Sam in the Suburbs
Wodehouse, P. G. (Pelham Grenville)
England -- Fiction; Gangsters -- Fiction; Humorous stories; Publishers and publishing -- Fiction
“I do--and plenty of them. Also bacon--a good deal of bacon. Oh, and by
the way----” added Sam, leaning over the banisters.
“Yes?”
“----toast--lots and lots of toast.”
“I’ll get you all you can eat.”
“You will? Tell me,” said Sam, “it has been puzzling me greatly. How do
you manage to get that dress on over your wings?”
CHAPTER TEN
SAM FINDS A PHOTOGRAPH
Sam, when he came downstairs some twenty minutes later, was definitely
in what Mr. Hash Todhunter would have described as the pink. The night
had been bad, but joy had certainly come in the morning. The sight of
the breakfast tray on a small table by the window set the seal on his
mood of well-being; and for a long, luxurious space he had eyes for
nothing else. It was only after he had consumed the eggs, the bacon, the
toast, the coffee and the marmalade that he yielded to what is usually
the first impulse of a man who finds himself in a strange room and began
to explore.
It was some half minute later that Claire Lippett, clearing the
dining-room table, was startled to the extent of dropping a butter dish
by a loud shout or cry that seemed to proceed from the room where she
had left her guest.
Hurrying thither, she found him behaving in a strange manner. He was
pointing at a photograph on the mantelpiece and gesticulating wildly.
“Who’s that?” he cried as she entered. He seemed to have difficulty with
his vocal cords.
“Eh?”
“Who the devil’s that?”
“Language!”
“Who is it? That girl--who is she? What’s her name?”
“You needn’t shout,” said Claire, annoyed.
The photograph which had so excited this young man was the large one
that stood in the centre of the mantelpiece. It represented a girl in
hunting costume, standing beside her horse, and it was Claire’s
favourite. A dashing and vigorous duster, with an impressive record of
smashed china and broken glass to her name, she always handled this
particular work of art with a gentle tenderness.
“That?” she said. “Why, that’s Miss Kay, of course.”
She came forward and flicked a speck of dust off the glass.
“Taken at Midways, that was,” she said, “two or three years ago, before
the old colonel lost his money. I was Miss Kay’s maid then--personal
maid,” she added with pride. She regarded the photograph wistfully, for
it stood to her for all the pomps and glories of a vanished yesterday,
for the brave days when there had been horses and hunting costumes and
old red chimneys against a blue sky and rabbits in the park and sunlight
on the lake and all the rest of the things that made up Midways and
prosperity. “I remember the day that photograph was took. It was printed
in the papers, that photograph was.”
Sam continued to be feverish.
“Miss Kay? Who’s Miss Kay?”
“Miss Kay Derrick, Mr. Wrenn’s niece.”
“The man who lives here, do you mean?”
Public-domain text, read in full here on John Shaqi.
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