San Xavier Del Bac, Arizona: A Descriptive and Historical GuideWriters' Program of the Work Projects Administration in the State of Arizona
History
San Xavier Del Bac, Arizona: A Descriptive and Historical Guide
Writers' Program of the Work Projects Administration in the State of Arizona
Mission San Xavier del Bac (Tucson, Ariz.)
No mission excels San Xavier in serious design and pure artistry. It
more completely embodies the elements which enter into mission
architecture, that is, the architecture of the Spanish Renaissance
modified by native influences, than any other, and stands a perfect
example of its type. In reality San Xavier, which cannot be designated
as an example of any one style, is a combination of the many influences
that created the mission architecture of the Southwest. Not the least of
these influences was the scarcity of artisans capable of executing the
elaborate detail of the churches in the homeland and the fantastic
Churrigueresque mode of vice-regal Mexico with which the padres were
familiar. Also the building materials were for the most part confined to
those available at the site. In view of these many limitations it is not
surprising that the structures, executed largely by native workmen,
reflected Indian influences.
About the only materials used in the construction of San Xavier Mission
not native to the site were the iron bells and the hinges on the doors.
The statuary for the most part, and the gilt used on interior decorative
features, were probably brought from Mexico. According to legend, the
clappers of the Arizona mission bells were made from a meteorite that
fell in the Santa Rita Mountains nearby.
The architecture of San Xavier has traces of both Byzantine and Moorish
styles. The lower half of the interior with its many brilliant
decorations, statuettes, frescoes, and glitter of golden tones is
partially Byzantine. The upper part reflects the Moorish style with
stilted arches, domes, and fantastic windows. The distinctive towers and
belfries were developed in Mexico and much of the accented yet
restrained decoration suggests the influence of the Aztec.
The mission, except for the foundation, is constructed entirely of
kiln-baked clay brick, covered with a white lime plaster. The
pendentives and groins—even the roof including the huge dome, and the
choir loft—are carried completely on vaulted arches. The ornamental
features of the facade are of brick and plaster.
Public-domain text, read in full here on John Shaqi.
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