Domestic fiction; Mothers and sons -- Fiction; Psychological fiction; Widows -- Fiction
She wandered from room to room, aimlessly, trying to adjust herself to
their solitude. She had known such loneliness before, in the years when
most women’s hearts are fullest; but that was long ago, and the solitude
had after all been less complete, because of the sense that it might
still be filled. Her son had come: her life had brimmed over; but now the
tide ebbed again, and she was left gazing over a bare stretch of wasted
years. Wasted! There was the mortal pang, the stroke from which there was
no healing. Her faith and hope had been marsh-lights luring her to the
wilderness, her love a vain edifice reared on shifting ground.
In her round of the rooms she came at last to Dick’s study upstairs. It was
full of his boyhood: she could trace the history of his past in its quaint
relics and survivals, in the school-books lingering on his crowded shelves,
the school-photographs and college-trophies hung among his later treasures.
All his successes and failures, his exaltations and inconsistencies, were
recorded in the warm huddled heterogeneous room. Everywhere she saw the
touch of her own hand, the vestiges of her own steps. It was she alone
who held the clue to the labyrinth, who could thread a way through the
confusions and contradictions of his past; and her soul rejected the
thought that his future could ever escape from her. She dropped down into
his shabby college armchair and hid her face in the papers on his desk.
VIII
The day dwelt in her memory as a long stretch of aimless hours: blind
alleys of time that led up to a dead wall of inaction.
Toward afternoon she remembered that she had promised to dine out and go to
the opera. At first she felt that the contact of life would be unendurable;
then she shrank from shutting herself up with her misery. In the end she
let herself drift passively on the current of events, going through the
mechanical routine of the day without much consciousness of what was
happening.
At twilight, as she sat in the drawing-room, the evening paper was brought
in, and in glancing over it her eye fell on a paragraph which seemed
printed in more vivid type than the rest. It was headed, _The New Museum
of Sculpture_, and underneath she read: “The artists and architects
selected to pass on the competitive designs for the new Museum will begin
their sittings on Monday, and to-morrow is the last day on which designs may
be sent in to the committee. Great interest is felt in the competition, as
the conspicuous site chosen for the new building, and the exceptionally
large sum voted by the city for its erection, offer an unusual field for
the display of architectural ability.”
Public-domain text, read in full here on John Shaqi.
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