Laura Tinley was punished by being requested to lead off with a favourite
song in a buzz. She acceded, quite aware of the honour intended, and sat
at the piano, taming as much as possible her pantomime of one that would
be audible. Lady Gosstre scanned the room, while Adela, following her
ladyship's eyeglass, named the guests.
"You get together a quaint set of men," said Lady Gosstre.
"Women!" was on Adela's tongue's tip. She had really thought well of her
men. Her heart sank.
"In the country!" she began.
"Yes, yes!" went my lady.
These were the lessons that made the ladies of Brookfield put a check
upon youth's tendency to feel delightful satisfaction with its immediate
work, and speedily conceive a discontented suspicion of anything
whatsoever that served them.
Two other sacrifices were offered at the piano after Laura Tinley. Poor
victims of ambition, they arranged their dresses, smiled at the leaves,
and deliberately gave utterance to the dreadful nonsense of the laureates
of our drawing-rooms. Mr. Pericles and Emilia exchanged scientific
glances during the performance. She was merciless to indifferent music.
Wilfrid saw the glances pass. So, now, when Emilia was beckoned to the
piano, she passed by Wilfrid, and had a cold look in return for beaming
eyes.
According to directions, Emilia sang a simple Neapolitan air. The singer
was unknown, and was generally taken for another sacrifice.
"Come; that's rather pretty," Lady Gosstre hailed the close.
"It is of ze people--such as zat," assented Mr. Pericles.
Adela heard my lady ask for the singer's name. She made her way to her
sisters. Adela was ordinarily the promoter, Cornelia the sifter, and
Arabella the director, of schemes in this management. The ladies had a
moment for counsel over a music-book, for Arabella was about to do duty
at the piano. During a pause, Mr. Pole lifting his white waistcoat with
the effort, sent a word abroad, loudly and heartily, regardless of its
guardian aspirate, like a bold-faced hoyden flying from her chaperon.
They had dreaded it. They loved their father, but declined to think his
grammar parental. Hushing together, they agreed that it had been a false
move to invite Lady Gosstre, who did not care a bit for music, until the
success of their Genius was assured by persons who did. To suppose that
she would recognize a Genius, failing a special introduction, was absurd.
The ladies could turn upon aristocracy too, when it suited them.
Public-domain text, read in full here on John Shaqi.
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