Arabella had now to go through a quartett. The fever of ill-luck had seized the violin. He would not tune. Then his string broke; and while he was arranging it the footman came up to Arabella. Misfortunes, we know, are the most united family on earth. The news brought to her was that a lady of the name of Mrs. Chump was below. Holding her features rigidly bound, not to betray perturbation, Arabella confided the fact to Cornelia, who, with a similar mental and muscular compression, said instantly, "Manoeuvre her." Adela remarked, "If you tell her the company is grand, she will come, and her Irish once heard here will destroy us. The very name of Chump!" Mrs. Chump was the wealthy Irish widow of an alderman, whose unaccountable bad taste in going to Ireland for a wife, yet filled the ladies with astonishment. She pretended to be in difficulties with her lawyers; for which reason she strove to be perpetually in consultation with her old flame and present trustee Mr. Pole. The ladies had fought against her in London, and since their installation at Brookfield they had announced to their father that she was not to be endured there. Mr. Pole had plaintively attempted to dilate on the virtues of Martha Chump. "In her place," said the ladies, and illustrated to him that amid a nosegay of flowers there was no fit room for an exuberant vegetable. The old man had sighed and seemed to surrender. One thing was certain: Mrs. Chump had never been seen at Brookfield. "She never shall be, save by the servants," said the ladies. Emilia, not unmarked of Mr. Pericles, had gone over to Wilfrid once or twice, to ask him if haply he disapproved of anything she had done. Mr. Pericles shrugged, and went "Ah!" as who should say, "This must be stopped." Adela now came to her and caught her hand, showering sweet whispers on her, and bidding her go to her harp and do her best. "We love you; we all love you!" was her parting instigation. The quartett was abandoned. Arabella had departed with a firm countenance to combat Mrs. Chump. Emilia sat by her harp. The saloon was critically still; so still that Adela fancied she heard a faint Irish protest from the parlour. Wilfrid was perhaps the most critical auditor present: for he doubted whether she could renew that singular charm of her singing in the pale lighted woods. The first smooth contralto notes took him captive. He scarcely believed that this could be the raw girl whom his sisters delicately pitied.