Such was the land. The Greeks who inhabited it belonged apparently to
that Achæan-Æolian branch which was the first to cross from Europe
to the north-west Ægæan and to oust, or plant colonies among, the
older nameless--perhaps “Pelasgian”--occupants. This is not the place
to discuss the tribal or even racial differences which once existed
between Æolian, Ionian, and Dorian Greeks. Their divergence of
character was great; it was of the first significance as exhibited in
war, in social life, in art. The fact that each division spoke the
Greek tongue, though with various accents and idioms, is no longer held
as proof that their racial origin and capacity were the same. Between
the Greek of Lesbos and the Greek of Sparta there were differences in
temper, in adaptability, and in taste, as great as those between the
English-speaking Irishman, with his nimble sympathies and his ready
eloquence and wit, and the slower if surer Saxon of Mid-lothian. If
we touch upon this question here, it is merely because it casts some
measure of light upon those social and literary characteristics of the
Lesbians in which Sappho fortunately shared. Almost beyond a doubt
the Æolian Greeks who first made Lesbos their home were the nearest of
kin to those fair-haired Achæans who, in the _Iliad_, followed their
feudal lords to the siege of Troy. Socially a distinguishing mark of
these people was the liberty and high position enjoyed by the women in
the household, by the Penelopes as well as by the Helens. This fact
has hardly been sufficiently considered in dealing with that peculiar
position of Sappho and her coterie, concerning which something will be
said later on. Artistically their distinguishing mark, as represented
first in Homer, was their clear, open-eyed, original observation
of essentials, their veracity of description, their dislike of the
indefinite and the mystic. This too is clearly reflected in the work of
Sappho and her compatriots.
We must not, it is true, make too much of this racial derivation and
its consequences. The population of Lesbos doubtless became mixed; the
lapse of centuries, the passing away of the feudal relation, increasing
ease and wealth in a softening climate, long intercourse with the trade
and culture of the neighbouring Asiatic coast--all these had their
inevitable effects. Nevertheless, among it all, the frank genius of
earliest Greece is still discernible in the classic poetry of Lesbos.
Public-domain text, read in full here on John Shaqi.
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