Sappho and her influenceRobinson, David M. (David Moore)
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Sappho and her influence
Robinson, David M. (David Moore)
Sappho -- Influence
Sappho makes a sarcastic reference to Leto and Niobe as very dear
comrades (E. 140), and gives Niobe nine children of either sex (E. 168).
She knows the love of the Moon for Endymion in the cave on Mt. Latmus
(E. 167); she wrote about Theseus (E. 169), Prometheus (E. 170), Medea
(E. 185), and Philomela and Procne, “the heavenly swallow, Pandion’s
daughter” (E. 122). Perhaps Sappho pictured the story of Hero and Leander
(cf. p. 31). Stebbing changes the sex of Hero and makes a long poem on
_Champion, Athlete, and Harpist_:
“Hero” of Gyaros; Hellas cannot forget his name.
The lovely, gallant youth, a paragon in women’s eyes.
The divinities in Sappho are primarily Aphrodite, Peitho, Ares, Hecate,
Hera, Hermes, Hephaestus, and the Muses. There is much reverence in the
beautiful Hymn to Hera, the latter half of which Edmonds (E. 40) has so
very tentatively restored on the hypothesis that this was written in
Syracuse before Sappho embarked to return to Mytilene on hearing of the
amnesty of Pittacus.
Sappho was not only the poet of ardent love, as we have seen, but the
greatest composer of wedding-songs of antiquity, and much of such
poetry in later days is nothing but a translation or a transfusion of
Sappho. Her _Epithalamia_ were written for actual wedding ceremonies,
but I cannot agree with a great German critic who says that they were
not literary productions. I do not mean to say that she published these
songs, for I believe that they were not collected into a ninth book until
later days. We have already quoted what may be an introductory poem to
the Epithalamies; perhaps even some of the other fragments which we have
mentioned, such as that perfect weaving-song, which may reflect the
awakening of love in the heart of the bride, and certainly the verses on
the _Evening Star_ (p. 64) belong to her Epithalamies. The wonderful new
poem (E. 66) with its Homeric genitives and datives and its Homeric forms
of words on the _Marriage of Hector and Andromache_ could be used as a
wedding-song at any wedding:
HOME-COMING OF HECTOR WITH HIS BRIDE
(Recitation for “_The Wedding Day_”)
Sustained by sturdy limbs a herald came
Swiftly to folk of Ida. Quick as flame
The rumor ran, ere he the tidings told,
Through wide-wayed Ilium that Hector bold
And his fair bride Andromache, so dear
Already to the town for fame as peer
In beauty of the woman that with hate
They passed upon the street with eyes avert
(The Grecian Helen, whom, as seers assert,
Her name had doomed to be the torch of Troy—
‘Destroyer’), and more dear because the joy
She was of Priam’s most beloved son,
Were at the landing. All the people run
Out of the gates; the young men yoke their steeds
To chariots, and each his charges speeds,
With harness jingling, to be first, and bring
Hector and Hector’s bride to Priam king.
Public-domain text, read in full here on John Shaqi.
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