Satire in the Victorian novelRussell, Frances Theresa
History
Satire in the Victorian novel
Russell, Frances Theresa
English fiction -- 19th century -- History and criticism; Satire, English -- History and criticism; Thesis (Ph. D.)
The same Adventurer notes that the names of the two political parties
of Japan signify respectively More Fool than Knave, and More Knave than
Fool. It is, of course this aspect of democracy that leads Lowell to
picture it as “Helpless as spilled beans on a dresser.”
Statemanship was Disraeli’s whole existence, and his art a handmaiden
to politics. More than any other nineteenth century novelist he
complemented destructive criticism by a definite constructive policy.
To a contemporary critic, a reforming Tory was a white blackbird; but
our own generation, having witnessed the phenomenon of Progressive
Republicanism, has less difficulty in understanding the paradox. It was
not indifference to the welfare of the masses that induced Disraeli’s
belief in the rule of a selected class, but a distrust of popular
ability and judgment, and a conviction (acknowledged in our own time
as a truth and the real salvation of democracy) that efficiency can
come only from expert knowledge and training. From such a viewpoint
satire would naturally be directed not against the people but against
its incapable and dishonest leadership. Peacock’s scorn of this
exploitation of popular ignorance and helplessness is taken up by
both his nearest successors, expressed, as it happens, in a pair of
portraits of the ward-politician type.
Pelham repudiates Vincent’s proposed new party because of its bad
personnel, men--[292]
“* * * who talk much, who perform nothing--who join ignorance
of every principle of legislation to indifference for every
benefit to the people:--who are full of ‘wise saws’, but
empty of ‘modern instances’--who level upwards, and trample
downwards--and would only value the ability you are pleased to
impute to me, in the exact proportion that a sportsman values
the ferret, that burrows for his pleasure, and destroys for his
interest.”
Montacute draws a more concrete and ironic picture:[293]
“Find a man who, totally destitute of genius, possesses
nevertheless considerable talent; who has official aptitude,
a volubility of routine rhetoric, great perseverance, a love
of affairs, who, embarrassed neither by the principles of the
philosopher nor by the prejudices of the bigot, can assume,
with a cautious facility, the prevalent tone, and disembarrass
himself of it, with a dexterous ambiguity, the moment it ceases
to be predominant: recommending himself to the innovator by his
approbation of change ‘in the abstract,’ and to the conservative
by his prudential and practical respect for that which is
established; such a man, though he be one of an essentially
small mind, though his intellectual qualities be less than
moderate, with feeble powers of thought, no imagination,
contracted sympathies, and a most loose public morality; such a
man is the individual whom kings and parliaments would select to
govern the State or rule the Church.”
Public-domain text, read in full here on John Shaqi.
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