Satire in the Victorian novelRussell, Frances Theresa
History
Satire in the Victorian novel
Russell, Frances Theresa
English fiction -- 19th century -- History and criticism; Satire, English -- History and criticism; Thesis (Ph. D.)
“If Aristophanes was working for reform, as a long line of
learned interpreters of the poet have maintained, the result was
lamentably disappointing; he succeeded in effecting not a single
change. He wings the shafts of his incomparable wit at all
the popular leaders of the day--Cleon, Hyperbolus, Peisander,
Cleophon, Agyrrhius, in succession, and is reluctant to unstring
his bow even when they are dead. But he drove no one of them
from power.”
Yet after due deduction has been made, Satire has left to it an asset
of considerable net value; an influence that may be subjective if not
objective, general if not specific, and artistic if not rampantly
ethical. As an instrument of self criticism, whereby a man may be
saved from making a solemn pompous fool of himself, as an antitoxin to
vanity, a solvent of sentimentality, a betrayer of hypocrisy, satire
may find all the mission it needs to be respectable; and if it can also
acquire a degree of grace and comeliness, it may be listed among the
muses.
Now this spirit of humorous criticism, sprung from innate prejudice,
nurtured by penetrating observation, enlisted at least nominally under
the banner of righteousness, and out for conquest, obviously must have
something to conquer;--whether he is a soldier fighting an enemy alien,
or a roving knight, bound to offer combat on chivalric grounds, though
aware in his candid heart that the surpassing loveliness of his lady
is a claim gallantly to be maintained rather than an incontrovertible
fact. In either case, whether he uses archery or artillery, he must
have a target; and a student of his tactics must understand what it is,
even better perhaps than he does himself.
Taken individually, the objects of satiric attack are legion, being no
fewer than all such victims of human displeasure as may suitably come
in for jesting rebuke. Our only chance for any sort of synthesis is to
see first if these individuals may be grouped into classes, and next,
if these classes may be generalized under some principle, discovered to
be under some supreme command.
The grouping is indeed easily discernible. Political parties stand out,
social strata, various professions and institutions and movements. But
to look upon these as ridiculed for themselves is to be satisfied with
a superficial view. The fault is not in themselves but in their stars
that they are underlings. What are these evil stars that seem in their
courses to fight against them?
The terms oftenest on the lips of satirists and historians of satire
are Vice and Folly. But these fine large entities are taken at their
face value and given a conventional interpretation. We are not
enlightened as to what vice and folly are, and can define them only as
those things which seem vicious and foolish to their several opponents.
They also are among the baffling subjectivities.
Public-domain text, read in full here on John Shaqi.
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