Satire in the Victorian novelRussell, Frances Theresa
History
Satire in the Victorian novel
Russell, Frances Theresa
English fiction -- 19th century -- History and criticism; Satire, English -- History and criticism; Thesis (Ph. D.)
The fact, however, that “Here and there is born a Saint Theresa,
foundress of nothing,” is not an irony of fate so much as a folly of
society. Later in the story the philosophizing of one of the characters
leads the author to the reflection:
“Some gentlemen have made an amazing figure in literature by
general discontent with the universe as a trap of dulness into
which their great souls have fallen by mistake; but the sense
of a stupendous self and an insignificant world may have its
consolations.”
Nay, the metaphysician himself does not altogether escape. Piero de
Cosimo is accused of being one and repudiates the idea:[456]
“Not I, Messer Greco; a philosopher is the last sort of animal
I should choose to resemble. I find it enough to live, without
spinning lies to account for life. Fowls cackle, asses bray,
women chatter, and philosophers spin false reasons--that’s the
effect the sight of the world brings out of them.”
This perception of the Idol of the Cave, and the whole trend of Eliot’s
argument is evidence that the pragmatic attitude existed some time
before it was so vividly and enduringly defined by Professor James.
Since these various changes bring about no complete break with the
satiric tradition, we may expect to find the connecting links with
both the remote and the immediate past as much in evidence as are
the features of novelty. Peacock’s indebtedness was to the Athenian
comedy, and Lytton’s to the near-contemporary Byron. Mrs. Gaskell had
Jane Austen and Crabbe and the whole gallery of eighteenth-century
village vignettes for her humors of rural life; while her _Mary
Barton_ probably reached back to _Sybil_, as it did forward to
the line of economic novels. Thackeray had a large store to draw on for
his burlesques, as did Lytton and Butler for their pseudo-Utopias.
Nor is there any abrupt termination to satiric affairs as the
Victorians left them at the end of the century. The years stand as
sign posts along the way, and not as barriers across it. The changes
they call our attention to were less patent to those in and by whom
they were working than to us with our perspective. From our moderate
distance we are able to discern not only the evolutionary process but
some of its results.
Public-domain text, read in full here on John Shaqi.
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