Scenes and Characters of the Middle Ages: Third Edition — John Shaqi
Scenes and Characters of the Middle Ages: Third EditionCutts, Edward Lewes
History
Scenes and Characters of the Middle Ages: Third Edition
Cutts, Edward Lewes
Civilization, Medieval; Middle Ages -- Social life and customs
III. ARMOUR OF THE FOURTEENTH CENTURY 338
IV. THE DAYS OF CHIVALRY 353
V. KNIGHTS-ERRANT 369
VI. MILITARY ENGINES 380
VII. ARMOUR OF THE FIFTEENTH CENTURY 394
VIII. THE KNIGHT'S EDUCATION 406
IX. ON TOURNAMENTS 423
X. MEDIÆVAL BOWMEN 439
XI. FIFTEENTH CENTURY AND LATER ARMOUR 452
THE MERCHANTS OF THE MIDDLE AGES.
I. BEGINNINGS OF BRITISH COMMERCE 461
II. THE NAVY 475
III. THE SOCIAL POSITION OF THE MEDIÆVAL MERCHANTS 487
IV. MEDIÆVAL TRADE 503
V. COSTUME 518
VI. MEDIÆVAL TOWNS 529
THE MONKS OF THE MIDDLE AGES.
CHAPTER I.
THE ORIGIN OF MONACHISM.
We do not aim in these chapters at writing general history, or systematic
treatises. Our business is to give a series of sketches of mediæval life
and mediæval characters, looked at especially from the artist's point of
view. And first we have to do with the monks of the Middle Ages. One
branch of this subject has already been treated in Mrs. Jameson's "Legends
of the Monastic Orders." This accomplished lady has very pleasingly
narrated the traditionary histories of the founders and saints of the
orders, which have furnished subjects for the greatest works of mediæval
art; and she has placed monachism before her readers in its noblest and
most poetical aspect. Our humbler task is to give a view of the familiar
daily life of ordinary monks in their monasteries, and of the way in which
they enter into the general life without the cloister;--such a sketch as
an art-student might wish to have who is about to study that picturesque
mediæval period of English history for subjects for his pencil. The
religious orders occupied so important a position in mediæval society,
that they cannot be overlooked by the historical student; and the flowing
black robe and severe intellectual features of the Benedictine monk, or
the coarse frock and sandalled feet of the mendicant friar, are too
characteristic and too effective, in contrast with the gleaming armour
and richly-coloured and embroidered robes of the sumptuous civil costumes
of the period, to be neglected by the artist. Such an art-student would
desire first to have a general sketch of the whole history of monachism,
as a necessary preliminary to the fuller study of any particular portion
of it. He would wish for a sketch of the internal economy of the cloister;
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