how the various buildings of a monastery were arranged; and what was the daily routine of the life of its inmates. He would seek to know under what circumstances these recluses mingled with the outer world. He would require accurate particulars of costumes and the like antiquarian details, that the accessories of his picture might be correct. And, if his monks are to be anything better than representations of monkish habits hung upon "lay figures," he must know what kind of men the Middle Age monks were intellectually and morally. These particulars we proceed to supply as fully as the space at our command will permit. Monachism arose in Egypt. As early as the second century we read of men and women who, attracted by the charms of a peaceful, contemplative life, far away from the fierce, sensual, persecuting heathen world, betook themselves to a life of solitary asceticism. The mountainous desert on the east of the Nile valley was their favourite resort; there they lived in little hermitages, rudely piled up of stones, or hollowed out of the mountain side, or in the cells of the ancient Egyptian sepulchres, feeding on pulse and herbs, and water from the neighbouring spring. One of the frescoes in the Campo Santo, at Pisa, by Pietro Laurati, engraved in Mrs. Jameson's "Legendary Art," gives a curious illustration of this phase of the eremitical life. It gives us a panorama of the desert, with the Nile in the foreground, and the rock caverns, and the little hermitages built among the date-palms, and the hermits at their ordinary occupations: here is one angling in the Nile, and another dragging out a net; there is one sitting at the door of his cell shaping wooden spoons. Here, again, we see them engaged in those mystical scenes in which an over-wrought imagination pictured to them the temptations of their senses in visible demon-shapes--beautiful to tempt or terrible to affright; or materialised the spiritual joys of their minds in angelic or divine visions: Anthony driving out with his staff the beautiful demon from his cell, or rapt in ecstasy beneath the Divine apparition.[1] Such pictures of the early hermits are not infrequent in mediæval art--one, from a fifteenth century MS. Psalter in the British Museum (Domit. A. xvii. f. 4 v), will be found in a subsequent chapter of this book.