Scheherazade: a London night's entertainmentWarden, Florence
General
Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
With these well-known principles and opinions, his more susceptible
young comrades, Massey and Dicky Wood, were justified in not
considering that they were exposing Lauriston to any danger of the
heart, in plotting his encounter with the dusky little wife of a
foreign shopkeeper.
It was nine o’clock on the evening appointed by the conspirators when
Lauriston, after dining at the “Criterion” with a friend, drove up in
a hansom to number 36, Mary Street.
It was dull, wet, and rather cold--the fag end of one of those dismal
days that so often mar the brightness of the season in an English May.
Seen through the damp drizzle in the darkness which was already
closing in, as if night were jealous of the gloom of day, and were
hurrying to push her out of the field, the street looked dirtier and
shabbier than ever, and Lauriston wondered to himself how Frank Massey
could have taken rooms in such a wretched neighbourhood. He did not
recognise it as the street in which he had slipped away from his
friends on the night of the dinner-party in Fitzroy Square; but seeing
the number 36 on the door, and observing that a light was burning in
two of the three windows on the first floor, he paid the cabman, and,
according to his instructions, turned the handle of the door, and
walked in. There was a modest and economical light over the door,
which threw small and weak rays over a bare, wide, and dingy hall,
papered with a greasy and smoke-dyed imitation of a marble, which
exists only in the imagination of the more old-fashioned order of
wall-paper designers. The ceiling was blackened and smoke-hung, the
deep wainscoting and the wood of the once handsome banisters were worn
and worm-eaten, the wide stairs had only a narrow strip of cheap
oilcloth up the middle, scarcely reaching to the now ill-polished
space on either side. On the left hand were two doors, framed in oak
with a little carving at the top; between the panels of both these
doors a small white card was nailed, with the words “Rahas and Fanah,
Oriental Merchants.” Only one chair--a substantial, elaborately carved
old hall chair, which looked like a relic of some sale at a nobleman’s
house, but on which errand boys’ pocket-knives had now for some years
exercised their uninspired art carvings--broke up the monotony of the
bare walls; and a well-used doormat lay at the foot of the stairs.
There was no other attempt at furnishing, but against a door at the
end of the passage by the staircase a huge stack of packing-cases
marked with foreign characters were piled almost to the ceiling, and
gave forth a scent of mouldy straw to complete the attractions of the
entrance-hall.
“Rum place to hang out in!” he murmured, as he put his first foot on
the creaking stairs. “Number 36, Mary Street--yes, that was certainly
the address.”
Public-domain text, read in full here on John Shaqi.
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