Scheherazade: a London night's entertainmentWarden, Florence
General
Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
On the first landing things looked a little more promising. There was
a carpet, and outside each of the three doors a small, black skin rug,
while against the wall, on a bracket of dark wood, with a
looking-glass let in the back, there burned a lamp with a pink glass
shade.
Lauriston knocked at the door which he judged to be that of the room
in the windows of which he had seen a light.
There was no answer, and there was no sound.
He waited a few moments, and then knocked again--a sounding
rat-tat-tat with the handle of his umbrella, such as none but a deaf
person or a person fast asleep could fail to hear. Again no answer;
again no sound. He tried the other two doors with the same result;
then, much puzzled by this reception, he went back to the first door,
and after a third fruitless knock, turned the handle and peeped in.
Nothing but black darkness in the two inches he allowed himself to
see. He opened the next door. Although the blind was down and there
was no light inside, he could see quite clearly that it was a small
room with nobody in it. Now, as this apartment looked on to the
street, it was evident that the lights he had seen in the windows must
be those of the room into which he had first peeped, as the two doors
were on a line with each other.
“There must be a double door,” he said to himself, and going back
again, he opened the first door wide and found, not indeed the
obstacle he had expected, but a heavy curtain, thick as a carpet,
which might well be supposed to deaden all outer sounds.
He drew this back, and in a moment became conscious of an intoxicating
change from the gloom and the drizzle outside. A faint, sweet perfume,
like the smell of a burning fir-forest, a soft, many-tinted subdued
light, the gentle plash-plash of falling water all became manifest to
his senses at the same moment, and filled him with bewilderment and
surprise. In front of him, at the distance of three or four feet, was
a high screen of fine sandal-wood lattice work, over which was flung a
dark curtain, embroidered thickly with golden lilies. Through the
interstices of the aromatic wood were seen the glimmer of quaint brass
lamps, the flashing of gold and silver embroideries, the soft green of
large-leaved plants.
Lauriston knew he must have made some awful mistake; no young English
engineer would go in for this sort of thing. But his curiosity was so
great concerning the inhabitants of this Eastern palace on a first
floor in Mary Street, that he was unable to resist the temptation of a
further peep into the interior. He stepped forward and looked behind
the screen.
Public-domain text, read in full here on John Shaqi.
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