Scheherazade: a London night's entertainment — John Shaqi
Scheherazade: a London night's entertainmentWarden, Florence
General
Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
It was a large room. No inch of the flooring was to be seen, for it
was covered with thick carpets and the unlined skins of beasts. The
fireplace and the entire walls were hidden by shining silks and soft
muslins, draped so loosely that they shimmered in the draught of the
open door. At the four corners of the room stood clusters of
broad-leaved tropical plants, round the bases of which were piled
small metal shields, glittering yataghans, long yellowish
elephant-tusks, and quaintly-shaped vessels of many-hued pottery;
above the dark foliage spears and lances were piled against the wall,
pressing back the graceful draperies into their places, and shooting
up, straight and glistening, like clumps of tall reeds. The ceiling
was painted like a night sky--deep dark blue, with fleecy grayish
clouds; from it hung, at irregular intervals, innumerable tiny
opalescent lamps, in each of which glowed a little spark of light.
Besides this, a large lamp of brass and tinted glass hung suspended
from two crossed silken cords nearly in the middle of the room, and
immediately under it a small fountain played in a bronze basin.
Round three sides of the room was a low divan, covered with loosely
thrown rugs and cushions, some of sombre-hued tapestry, some
resplendent with gorgeous embroidery.
The whole of this most unexpected scene formed only a hazy and
harmonious background in George Lauriston’s eyes; for in front of him
on the divan, between the two trellised windows, lay a creature so
bewitchingly unlike anything of flesh and blood he had ever seen or
dreamed of, that the young Englishman felt his brain swim, and held
his breath with a great fear lest the dazzling vision before him
should melt away, with the scents and the soft lights and the rustle
of the night air in the hanging draperies, into the drizzling rain and
the damp and the darkness of the street outside.
Public-domain text, read in full here on John Shaqi.
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