There follows a chapter on Refutation (ἀνασκευή). The first step is to attack your opponent (τὴν τῶν φησάντων διαβολήν), the next, to give a statement of his case (πράγματος ἔκθεσιν), the third, to refute this statement under the following heads: (1) Obscurity, (2) Incredibility, (3) Impossibility, (4) Illogicality, (5) Impropriety, (6) Inexpediency. Take, for example, the statements of the poets about Daphne. In his διαβολή the student says that it is needless to convict the poets of folly: they stand discredited by what they say about the gods. He then briefly narrates the story of Phoebus and Daphne, and is ready for the refutation. Under the heads of _Obscurity_ and _Improbability_, the difficulties of Daphne’s birth from Ladon and Terra are discussed in a forced and perverse way. ‘If a human being is born from a river, why not a river from a human being?’ ‘What name are we going to give to a union of a river and Earth? In the case of men it is called “marriage”, but Earth is not a human being’, &c. Under the head of the _Impossible_, he contends: ‘But granted that Daphne was the daughter of Terra and Ladon—who brought her up? That’s a poser! If you say her father, well, human beings just _don’t_ live in rivers: he would unwittingly have drowned her. If you say her mother, it means that she lived under the earth: therefore, her charms would be hidden, and she would have no admirers.’ There is also the head of _Impropriety_. Granted even that she could have been brought up, it is absurd to attribute love to a god: ἔρως τῶν ὄντων τὸ χαλεπώτατον (a moral note for the boy’s benefit). It is wrong to connect such terrible things (τὰ δεινότατα) with the gods. _Illogicality._ How could a girl beat Phoebus in the race? Men are better than women, and _a fortiori_ gods must surpass them. Why did her mother help her? Surely she could not have feared a ‘mésalliance’! Either, therefore, she was not her mother, or else she was a bad mother. _Inexpediency._ There is no point in Earth taking away her daughter and offending Phoebus, and then giving him the laurel with which he crowns his tripods. Nature has separated the human and the divine: it’s no good having a god matched with a mortal maid. _Peroration._ All poets are fools; avoid them. But we must stop talking about poets, lest like them we talk nonsense (πέρας ἔστω τῶν ποιητῶν, μὴ κατὰ ποιητὰς δόξω φθέγγεσθαι). _Confirmation_ (κατασκευή) is the next subject. The method is to praise the man who makes the statement which is to be confirmed, to state the case to be established, and to ‘confirm’ it under the following heads: (the opposites of those mentioned under Refutation) the manifest, the probable, the possible, the logical, the proper, the expedient. Taking the same thesis, the credibility of Daphne’s story, he attempts to prove, with considerable ingenuity, the opposite conclusion: ἐπὶ τούτοις θαυμάζω τοὺς ποιητὰς καὶ διὰ τοῦτο τὸ μέτρον (the poem) τιμῶ.