Now the frog behaves just as the man did. The legs are utterly paralysed, so far as voluntary movement is concerned; but they are vigorously drawn up to the body when any irritant is applied to the foot. But let us study our frog a little farther. Touch the skin of the side of the body with a little acetic acid, which gives rise to all the signs of great pain in an uninjured frog. In this case, there can be no pain, because the application is made to a part of the skin supplied with nerves which come off from the cord below the point of section; nevertheless, the frog lifts up the limb of the same side, and applies the foot to rub off the acetic acid; and, what is still more remarkable, if the limb be held so that the frog cannot use it, it will, by-and-by, move the limb of the other side, turn it across the body, and use it for the same rubbing process. It is impossible that the frog, if it were in its entirety and could reason, should perform actions more purposive than these: and yet we have most complete assurance that, in this case, the frog is not acting from purpose, has no consciousness, and is a mere insensible machine. But now suppose that, instead of making a section of the cord in the middle of the body, it had been made in such a manner as to separate the hindermost division of the brain from the rest of the organ, and suppose the foremost two-thirds of the brain entirely taken away. The frog is then absolutely devoid of any spontaneity; it sits upright in the attitude which a frog habitually assumes; and it will not stir unless it is touched; but it differs from the frog which I have just described in this, that, if it be thrown into the water, it begins to swim, and swims just as well as the perfect frog does. But swimming requires the combination and successive co-ordination of a great number of muscular actions. And we are forced to conclude, that the impression made upon the sensory nerves of the skin of the frog by the contact with the water into which it is thrown, causes the transmission to the central nervous apparatus of an impulse, which sets going a certain machinery by which all the muscles of swimming are brought into play in due co-ordination. If the frog be stimulated by some irritating body, it jumps or walks as well as the complete frog can do. The simple sensory impression, acting through the machinery of the cord, gives rise to these complex combined movements.