Idealism; United States -- Social life and customs
Abracadabra. Presto! Behold the train. The gates are opened and the
people press in. There will not be much trouble with the third-class
passengers. See how they take their proper places of their own accord.
Some of them deserve to ride second-class quite as much as many who
will be affronted at not being allowed to go first-class. Do you see
that man? He is a commercial traveller, or drummer, and, naturally,
early on the ground. He doesn't hesitate or examine his ticket, but
gets directly into a second-class smoking-car, settles himself, and
puts on a silk cap. He knows that it is useless to ask for a
first-class seat, and he is going to make the best of it (which is
good philosophy). Very likely if you were sitting next to him he would
utter some such cheery remark as, "It will be all the same a hundred
years hence," and tell you a pat story to illustrate the situation.
Did you happen to notice, though, the longing look he cast at the
first-class coaches as he went by? I feel sure that down in his heart
he is ready to admit that there are such things as ideals, after all,
and he is making resolutions as to what he would do if he could live
his life over again.
Did you notice that stout, fashionably dressed man who stopped and
looked at me with a grin? He was trying it on, so to speak. He knew
just as well as Tom Johnson, the drummer, that he had no right to
travel first-class, but he thought I might admit him on the score of
social prestige. He is one of the kindest-hearted of fellows--just the
man to whom a friend would apply in a tight place, and I rather think
he would be apt to help an enemy, unless it happened that something he
had eaten for supper the night before had disagreed with him. He has
the digestion of an ostrich, and he needs it, for his skin is full of
oil, and whiskey, and tortured goose-liver, and canvas-back ducks, and
pepper-sauce, and ripe Camembert cheese, and truffles, and Burgundy,
and many other rich and kindred delicacies. He could tell four
different vintages of champagne apart with his eyes shut, and he has
honor at his club on account of it. His name is Howard Vincent. An
illustrious-sounding name, isn't it? He inherits gout from both sides
of the family. He does not know Tom Johnson, the drummer. They have
moved in different social strata. But they belong to the same order of
human beings. There! you notice, he asks Tom for a light, and they
have begun to talk together. They are laughing now, and Tom is
winking. I shouldn't wonder if they were making fun of the first-class
passengers. Vincent has read more or less in his day, and he rather
prides himself on what he calls keeping abreast of the times in the
line of thought. See, they have opened the window, and are beckoning
to me. Let us hear what they have to say.
Public-domain text, read in full here on John Shaqi.
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