Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2 — John Shaqi
Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
General
Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
Great Britain -- Description and travel; Ireland -- Description and travel
It was in this meadow that he rehearsed his readings, and his talking,
laughing, weeping, and gesticulating here "all to himself" excited among
his neighbors suspicion of his insanity. From the front lawn a tunnel
constructed by Dickens passes beneath the highway to "The Wilderness," a
thickly-wooded shrubbery, where magnificent cedars up-rear their
venerable forms and many somber firs, survivors of the forest which erst
covered the countryside, cluster upon the hill top. Here Dickens's
favorite dog, the "Linda" of his letters, lies buried. Amid the leafy
seclusion of this retreat, and upon the very spot where Falstaff was
routed by Hal and Poins ("the eleven men in buckram"), Dickens erected
the chalet sent to him in pieces by Fechter, the upper room of which--up
among the quivering boughs, where "birds and butterflies fly in and out,
and green branches shoot in at the windows"--Dickens lined with mirrors
and used as his study in summer. Of the work produced at Gad's Hill--"A
Tale of Two Cities," "The Uncommercial Traveler," "Our Mutual Friend,"
"The Mystery of Edwin Drood," and many tales and sketches of "All the
Year Round"--much was written in this leaf-environed nook; here the
master wrought through the golden hours of his last day of conscious
life, here he wrote his last paragraph and at the close of that June day
let fall his pen, never to take it up again. From the place of the
chalet we behold the view which delighted the heart of Dickens--his desk
was so placed that his eyes would rest upon this view whenever he raised
them from his work--the fields of waving corn, the green expanse of
meadows, the sail-dotted river.
RYDAL MOUNT [Footnote: From "Homes and Haunts of the Most Eminent
British Poets."]
BY WILLIAM HOWITT
As you advance a mile or more on the road from Ambleside toward
Grasmere, a lane overhung with trees turns up to the right, and there,
at some few hundred yards from the highway, stands the modest cottage of
the poet, elevated on Rydal Mount, so as to look out over the
surrounding sea of foliage, and to take in a glorious view. Before it,
at some distance across the valley, stretches a high screen of bold and
picturesque mountains; behind, it is overtowered by a precipitous hill,
called Nab-scar; but to the left, you look down over the broad waters of
Windermere, and to the right over the still and more embosomed flood
of Grasmere.
Public-domain text, read in full here on John Shaqi.
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