Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
General
Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
Great Britain -- Description and travel; Ireland -- Description and travel
Whichever way the poet pleases to advance from his house, it must be
into scenery of that beauty of mountain, stream, wood, and lake, which
has made Cumberland so famous over all England. He may steal away up
backward from his gate and ascend into the solitary hills, or diverging
into the grounds of Lady Mary Fleming, his near neighbor, may traverse
the deep shades of the woodland, wander along the banks of the rocky
rivulet, and finally stand before the well known waterfall there. If he
descend into the highway, objects of beauty still present themselves.
Cottages and quiet houses here and there glance from their little spots
of Paradise, through the richest boughs of trees; Windermere, with its
wide expanse of waters, its fairy islands, its noble hills, allures his
steps in one direction; while the sweet little lake of Rydal, with its
heronry and its fine background of rocks, invites him in another.
In this direction the vale of Grasmere, the scene of his early married
life, opens before him, and Dunmail-raise and Langdale-pikes lift their
naked corky summits, as hailing him to the pleasures of old
companionship. Into no quarter of this region of lakes, and mountains,
and vales of primitive life, can he penetrate without coming upon ground
celebrated by his muse. He is truly "sole king of rocky Cumberland."
The immediate grounds in which his house stands are worthy of the
country and the man. It is, as its name implies, a mount. Before the
house opens a considerable platform, and around and beneath lie various
terraces and descend various walks, winding on amid a profusion of trees
and luxuriant evergreens. Beyond the house, you ascend various terraces,
planted with trees now completely overshadowing them; and these terraces
conduct you to a level above the house-top, and extend your view of the
enchanting scenery on all sides.
Above you tower the rocks and precipitous slopes of Nab-scar; and below
you, embosomed in its trees, lies the richly ornate villa of Mr. William
Ball, a friend, whose family and the poet's are on such social terms,
that a little gate between their premises opens both to each family
alike. This cottage and grounds were formerly the property of Charles
Lloyd, also a friend, and one of the Bristol and Stowey coterie. Both he
and Lovell have been long dead; Lovell, indeed, was drowned, on a voyage
to Ireland, in the very heyday of the dreams of Pantisocracy, in which
he was an eager participant.
The poet's house, itself, is a proper poet's abode. It is at once
modest, plain, yet tasteful and elegant. An ordinary dining-room, a
breakfast-room in the center, and a library beyond, form the chief
apartments. There are a few pictures and busts, especially those of
Scott and himself, a good engraving of Burns, and the like, with a good
collection of books, few of them very modern.
TWICKENHAM [Footnote: From "Homes and Haunts of the Most Eminent British
Poets."]
BY WILLIAM HOWITT
Public-domain text, read in full here on John Shaqi.
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