Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
History
Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
France -- Description and travel; Netherlands -- Description and travel
The ceremonies of the Catholic Church were a superb work of art, or
perhaps a true growth of man's religious nature; and so long as men
felt their original meaning, they must have been full of awe and glory.
Being of another parish, I looked on coldly, but not irreverently, and
was glad to see the funeral service so well performed, and very glad
when it was over. What struck me as singular, the person who performed
the part usually performed by a verger, keeping order among the
audience, wore a gold-embroidered scarf, a cocked hat, and, I believe,
a sword, and had the air of a military man....
When we left the Madeleine we took our way to the Place de la Concorde,
and thence through the Elysian Fields (which, I suppose, are the French
idea of heaven) to Bonaparte's triumphal arch. The Champs Elysées may
look pretty in summer; tho I suspect they must be somewhat dry and
artificial at whatever season.--the trees being slender and scraggy,
and requiring to be renewed every few years. The soil is not genial to
them. The strangest peculiarity of this place, however, to eyes fresh
from moist and verdant England, is, that there is not one blade of
grass in all the Elysian Fields, nothing but hard clay, now covered
with white dust. It gives the whole scene the air of being a
contrivance of man, in which Nature has either not been invited to take
any part, or has declined to do so.
There were merry-go-rounds, wooden horses, and other provision for
children's amusements among the trees; and booths, and tables of cakes,
and candy-women; and restaurants on the borders of the wood; but very
few people there; and doubtless we can form no idea of what the scene
might become when alive with French gayety and vivacity.
As we walked onward the Triumphal Arch began to loom up in the
distance, looking huge and massive, tho still a long way off. It was
not, however, till we stood almost beneath it that we really felt the
grandeur of this great arch, including so large a space of the blue sky
in its airy sweep. At a distance, it impresses the spectator with its
solidity; nearer, with the lofty vacancy beneath it. There is a spiral
staircase within one of its immense limbs; and, climbing steadily
upward, lighted by a lantern which the door-keeper's wife gave us, we
had a bird's eye view of Paris, much obscured by smoke or mist. Several
interminable avenues shoot with painful directness right toward it.
On our way homeward we visited the Place Vendôme, in the center of
which is a tall column, sculptured from top to bottom, all over the
pedestal, and all over the shaft, and with Napoleon himself on the
summit. The shaft is wreathed round and round about with
representations of what, as far as I could distinguish, seemed to be
the Emperor's victories. It has a very rich effect. At the foot of the
column we saw wreaths of artificial flowers, suspended there, no doubt,
by some admirer of Napoleon, still ardent enough to expend a franc or
two in this way.
Public-domain text, read in full here on John Shaqi.
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