A thousand engravings show us the Bastille as it was--as a "fort-bastide"--built on the line of the city walls just to the south of the Porte St. Antoine, surrounded by its own moat. It consisted of eight round towers, each bearing a characteristic name, connected by massive walls, ten feet thick, pierced with narrow slits by which the cells were lighted. In the early times it had entrances on three sides, but after 1580 only one, with a drawbridge over the moat on the side toward the river, which led to outer courts and a second drawbridge, and wound by a defended passage to an outer entrance opposite the Rue des Tournelles. Close beside the Bastille, to the north, rose the Porte St. Antoine, approached over the city fosse by its own bridge, at the outer end of which was a triumphal arch built on the return of Henri II. from Poland in 1573. Both gate and arch were restored for the triumphal entry of Louis XIV. in 1667; but the gate (before which Etienne Marcel was killed, July, 1358), was pulled down in 1674. The Bastille was taken by the people, July 14, 1789, and the National Assembly decreed its demolition.... The massive circular pedestal upon which the Colonne de Juillet now rests was intended by Napoleon I. to support a gigantic fountain in the form of an elephant, instead of the column which, after the destruction of the Bastille, the "tiers état" of Paris had asked to erect "à Louis XVI., restaurateur de la liberté publique." It is characteristic of the Parisians that on the very same spot the throne of Louis Philippe was publicly burned, February 24, 1848. The model for the intended elephant existed here till the middle of the reign of Louis Philippe, and is depicted by Victor Hugo as the lodging of "Le petit Gavroche." The Panthéon and St. Etienne-Du-Mont By Grant Allen [Footnote: From "Paris."] The medieval church of Ste. Geneviève, having fallen into decay in the middle of the eighteenth century, Louis XV. determined to replace it by a sumptuous domed edifice in the style of the period. This building, designed by Soufflot, was not completed till the Revolution, when it was immediately secularized as the Panthéon, under circumstances to be mentioned later. The remains of Ste. Geneviève, which had lain temporarily meanwhile in a sumptuous chapel of St. Étienne-du-Mont (the subsidiary church of the monastery) were taken out by the Revolutionists; the medieval shrine, or reliquary (which replaced St. Éloy's), was ruthlessly broken up; and the body of the patroness and preserver of Paris was publicly burned in the Place de Grève.