SEPTEMBER 3, 1919.--H. 3rd lay back in his carriage with his arms folded
across his stomach and said nothing. I tried to make conversation. I
pointed out objects of interest, but met no response. He smiled
complacently and was silent. Even carefully rehearsed bits of dialogue
such as "Who's a good boy?" to which the answer is "Me," and "Is your
face dirty," to which the answer is "No," failed to move him to speech.
I tried him in new lands with strange sights and pointed out the camels,
and buffaloes and rhinoceri of the zoo, hoping that he would identify
some one of them in his all-embracing "dog," which serves for every
member of the four-footed family. But still he smiled complacently and
was silent. I began to feel as if I were an Atlantic City negro wheeling
a tired business man down the Boardwalk.
Suddenly the possible value of suggestion came to me, and I turned to
the right and finally brought up at the foot of Shakespeare's statue in
the mall. And here again I sought to interest him in the English
language. "Man," said I, rather optimistically, pointing to the bronze.
H. 3rd looked intently, and taking his hands from his stomach answered
"Boy." "Man," I repeated. "Boy," said H. 3rd. And so the argument
continued for some time without progress being made by either side. At
last I stopped. Is it possible, I thought, that in this curious statue
the sculptor has succeeded in giving some suggestion of "sweetest
Shakespeare, fancy's child," which is communicated to H. 3rd and fails
to reach me? I looked again and gave up this theory for one more simple
and rational. Without question it was the doublet and hose which
confused him. Never, I suppose, had the child seen me, or the janitor,
or the iceman or any of his adult male friends clad in close fitting
tights such as Shakespeare wore. And then I looked at the doublet. No,
there was no denying that in this particular statue it appeared
uncommonly like a diaper.
* * *
SEPTEMBER 5, 1919.--W. H. Hudson points the way to an interesting field
of speculation in one of the early chapters of _Far Away and Long Ago_,
in which he speaks of his mother.
Public-domain text, read in full here on John Shaqi.
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