agreeable to the habit, force, or natural condition which [Sidenote: 405] is already existent within it? Can an unmusical mind be excited like a musical, an unlettered mind by literature, a mind untrained in reasoning, whether speculative or disciplinary, by logic? It is not to be spoken of. XXII. ‘Again, Homer is my witness: he assumes[110] that nothing, so to speak, is brought about without a God; he does not, however, describe the God as using all things for all ends, but according to the art or faculty which each possesses. For do you not see, dear Diogenianus, that Athena, when she wants to persuade the Achaeans, calls in Odysseus;[111] when to wreck the truce, she looks for Pandarus;[112] when to rout the Trojans, she [Sidenote: B] approaches Diomede?[113] Why? because Diomede is a sturdy man and a fighter, Pandarus an archer and a fool, Odysseus a clever speaker and a sensible man. For Homer was not of the same mind as Pindar[114], if Pindar it was who wrote _Sail on a crate, if God so choose ‘twill swim._ He knew that different faculties and natural gifts are appointed for different ends; each is moved in its own way, even if the moving force be one for all. As then the force cannot move that which walks so as to make it fly, nor that which lisps to speak clearly, nor the thin voice to be melodious—why, Battus himself was sent as colonist of Libya to get his voice, because he was a lisper, with a thin voice, but withal a kingly, statesman-like, [Sidenote: C] prudent man—, even so it is impossible for one who has no letters and knows no verse to talk like a poet. And so she who now serves the God has been born as respectably as any man here, and has lived as good and orderly a life; but having been reared in the house of small farmer folk, she brings nothing with her from art or from any practice or faculty whatsoever, as she goes down into the sanctuary. As Xenophon[115] thinks that the bride should step into her husband’s home having seen as little as may be, and heard as little, so she, ignorant and untried in almost all things, and a true virgin in soul, is associated with [Sidenote: D] the God. Yet we, who think that the God, when he “signifies”, uses the cries of herons and wrens and ravens, and never ask that they, as the messengers and heralds of the God, should put things into clear rational phrases, do nevertheless ask that the Pythia should use a voice and style as though from the Thymele, not unembellished and plain, but with metre and elevation, and trills, and verbal metaphors, and a flute accompaniment!