Selections from Wordsworth and Tennyson — John Shaqi
Selections from Wordsworth and TennysonTennyson, Alfred Tennyson, Baron
General
Selections from Wordsworth and Tennyson
Tennyson, Alfred Tennyson, Baron
English poetry -- 19th century
Wordsworth possessed in an unusual degree the power of reviving the
impressions of his youth. Few autobiographical records are so vivid in
this respect as his _Prelude_. In his famous ode on the _Intimations of
Immortality from Recollections of Early Childhood_, he dwells upon the
unreflective exultation which in the child responds to the joyousness of
nature, and with a profound intuition that may not be justified in the
facts, he sees in this heedless delight a mystical intimation of
immortality.
In the poem _Nutting_ the animal exhilaration of boyhood is finely
blended with this deeper feeling of mystery. The boy exultingly
penetrates into one of those woodland retreats where nature seems to be
holding communion with herself. For some moments he is subdued by the
beauty of the place, and lying among the flowers he hears with ecstasy
the murmur of the stream. Then the spirit of ravage peculiar to boyhood
comes over him, and he rudely mars the beauty of the spot:
"And the shady nook
Of hazels, and the green and mossy bower,
Deformed and sullied, patiently gave up
Their quiet being:"
Such wantonness seems to his maturer reflection a sacrilege, and even the
boy was not insensible to the silent reproach of the "intruding sky."
TOUCH,--FOR THERE IS A SPIRIT IN THE WOODS. Many lines might be quoted
from Wordsworth to illustrate his theory of the personal attributes of
nature. In some of his more elevated passages nature in all her
processes is regarded as the intimate revelation of the Godhead, the
radiant garment in which the Deity clothes Himself that our senses may
apprehend Him. Thus, when we touch a tree or a flower we may be said to
touch God himself. In this way the beauty and power of nature become
sacred for Wordsworth, and inspired his verse at times with a solemn
dignity to which other poets have rarely attained.
The immanence of God in nature, and yet His superiority to His own
revelation of Himself is beautifully expressed in some of the later
verses of _Hart Leap Well_:
"The Being, that is in the clouds and air,
That is in the green leaves among the groves,
Maintains a deep and reverential care
For the unoffending creatures whom he loves."
Yet the life in nature is capable of multiplying itself infinitely, and
each of her manifold divisions possesses a distinctive mood; one might
almost say a separate life of its own. It is, in his ability to capture
the true emotional mood which clings to some beautiful object or scene in
nature, and which that object or scene may truly be said to inspire, that
Wordsworth's power lies.
Public-domain text, read in full here on John Shaqi.
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