The parlor was ornamented with a collection of the shells and insects of Norway. These curiosities, admirably arranged on a background of the yellow pine which panelled the room, formed, as it were, a rich tapestry to which the fumes of tobacco had imparted a mellow tone. At the further end of the room, opposite to the door, was an immense wrought-iron stove, carefully polished by the serving-woman till it shone like burnished steel. Seated in a large tapestried armchair near the stove, before a table, with his feet in a species of muff, Monsieur Becker was reading a folio volume which was propped against a pile of other books as on a desk. At his left stood a jug of beer and a glass, at his right burned a smoky lamp fed by some species of fish-oil. The pastor seemed about sixty years of age. His face belonged to a type often painted by Rembrandt; the same small bright eyes, set in wrinkles and surmounted by thick gray eyebrows; the same white hair escaping in snowy flakes from a black velvet cap; the same broad, bald brow, and a contour of face which the ample chin made almost square; and lastly, the same calm tranquillity, which, to an observer, denoted the possession of some inward power, be it the supremacy bestowed by money, or the magisterial influence of the burgomaster, or the consciousness of art, or the cubic force of blissful ignorance. This fine old man, whose stout body proclaimed his vigorous health, was wrapped in a dressing-gown of rough gray cloth plainly bound. Between his lips was a meerschaum pipe, from which, at regular intervals, he blew the smoke, following with abstracted vision its fantastic wreathings,--his mind employed, no doubt, in assimilating through some meditative process the thoughts of the author whose works he was studying.