France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
On the other side of the stove and near a door which communicated with
the kitchen Minna was indistinctly visible in the haze of the good man’s
smoke, to which she was apparently accustomed. Beside her on a little
table were the implements of household work, a pile of napkins, and
another of socks waiting to be mended, also a lamp like that which shone
on the white page of the book in which the pastor was absorbed. Her
fresh young face, with its delicate outline, expressed an infinite
purity which harmonized with the candor of the white brow and the clear
blue eyes. She sat erect, turning slightly toward the lamp for better
light, unconsciously showing as she did so the beauty of her waist and
bust. She was already dressed for the night in a long robe of white
cotton; a cambric cap, without other ornament than a frill of the same,
confined her hair. Though evidently plunged in some inward meditation,
she counted without a mistake the threads of her napkins or the meshes
of her socks. Sitting thus, she presented the most complete image, the
truest type, of the woman destined for terrestrial labor, whose glance
may piece the clouds of the sanctuary while her thought, humble and
charitable, keeps her ever on the level of man.
Wilfrid had flung himself into a chair between the two tables and
was contemplating with a species of intoxication this picture full of
harmony, to which the clouds of smoke did no despite. The single window
which lighted the parlor during the fine weather was now carefully
closed. An old tapestry, used for a curtain and fastened to a stick,
hung before it in heavy folds. Nothing in the room was picturesque,
nothing brilliant; everything denoted rigorous simplicity, true
heartiness, the ease of unconventional nature, and the habits of a
domestic life which knew neither cares nor troubles. Many a dwelling is
like a dream, the sparkle of passing pleasure seems to hide some ruin
beneath the cold smile of luxury; but this parlor, sublime in reality,
harmonious in tone, diffused the patriarchal ideas of a full and
self-contained existence. The silence was unbroken save by the movements
of the servant in the kitchen engaged in preparing the supper, and
by the sizzling of the dried fish which she was frying in salt butter
according to the custom of the country.
“Will you smoke a pipe?” said the pastor, seizing a moment when he
thought that Wilfrid might listen to him.
“Thank you, no, dear Monsieur Becker,” replied the visitor.
“You seem to suffer more to-day than usual,” said Minna, struck by the
feeble tones of the stranger’s voice.
“I am always so when I leave the chateau.”
Minna quivered.
Public-domain text, read in full here on John Shaqi.
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